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items tagged with Thrillers

Mike and the Bearable, Horrible, Not-Good, Fairly Bad Day – Notes on Another Quadruple Feature: "Planes: Fire & Rescue," "Persecuted," "Sex Tape," and "The Purge: Anarchy"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-07-20 13:44:48

Planes: Fire & RescueFriday, July 18, 10:30 a.m.-ish: My 3D glasses in place, I prepare to watch the animated sequel Planes: Fire & Rescue with surprisingly vivid memories of its precursor, probably because it was released a mere 11 months ago. I’m really hoping that, this time around, director Roberts Gannaway’s tale of anthropomorphic vehicles with bulging eyes and recognizable celebrity voices won’t remind me of Pixar’s Cars every three minutes, and happily, it doesn’t. Instead, I’m frequently reminded of the astronaut epic The Right Stuff, which is a much cooler movie to pilfer from.


Read More About Mike And The Bearable, Horrible, Not-Good, Fairly Bad Day – Notes On Another Quadruple Feature: "Planes: Fire & Rescue," "Persecuted," "Sex Tape," And "The Purge: Anarchy"...


Near-Def Experience: "Heaven Is for Real," "Transcendence," "Bears," and "A Haunted House 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-04-21 18:25:09

Greg Kinnear and Kelly Reilly in Heaven Is for RealHEAVEN IS FOR REAL

So far this year, audiences for faith-based films at the multiplex have been treated to Son of God, God’s Not Dead, and Noah, and now there’s director Randall Wallace’s Heaven Is for Real to add to the mix. Have the Hollywood powers-that-be heard something about an imminent Rapture that the rest of us haven’t? Should I now be feeling awkward and guilty about my raucous laughter at This Is the End?


Read More About Near-Def Experience: "Heaven Is For Real," "Transcendence," "Bears," And "A Haunted House 2"...


Bee Prepared: "Bad Words," "Enemy," and "Sabotage"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-31 14:41:47

Rohan Chand and Jason Bateman in Bad WordsBAD WORDS

It’s not impossible to make a comedy centered on an angry, sullen, emotionally inaccessible bastard, as Oscar Isaac recently proved in Inside Llewyn Davis. In that film, however, Isaac had a Coen-brothers script and a bunch of sensational folk songs to help carry him through. In Bad Words, director/star Jason Bateman merely has a half-workable comic conceit and access to unlimited profanities. The anger, sullenness, and inaccessibility, I’m sorry to say, win out.


Read More About Bee Prepared: "Bad Words," "Enemy," And "Sabotage"...


Four Stories and Seven Hours or So – Notes on a Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," and "God’s Not Dead"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-25 20:01:29

Theo James and Shailene Woodley in DivergentMarch 24, 10:30 a.m.-ish: After several days spent visiting friends in Ohio – among them, now, my hosts’ adorable 17-month-old daughter – I return to my movie-reviewing duties filled with fresh perspective and hope for the future. Then I see Divergent, which earned $54.6 million over the weekend, and is already green-lit for two follow-up films. Well, the feeling was fun while it lasted.


Read More About Four Stories And Seven Hours Or So – Notes On A Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," And "God’S Not Dead"...


Airport '14: "Non-Stop" and "Son of God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-01 19:02:44

Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary – Tom Donahue’s Casting by – devoted to the subject, and Woody Allen, whom one would’ve thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I’m personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond – casting directors for the enjoyably ludicrous Non-Stop – for the prize. To be sure, it doesn’t take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave’s abused slave Patsey opposite Downton Abbey’s rigid Lady Mary? Now that’s witty.


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