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items tagged with Thrillers

Pixar’s Latest Is Its Least ... and Still Great: "Monsters, Inc.", "Domestic Distrubance," and "The One"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-11-07 00:00:00

Sulley in Monsters, Inc.MONSTERS, INC.

Saying that Pixar’s Monsters, Inc. is the weakest of its quartet of computer-animated feature films is like bitching that you got a Jaguar for Christmas when you really wanted a Porsche; instead of achieving the genius-level greatness of the Toy Story films and A Bug’s Life, the studio’s new work is just brilliantly designed, cleverly plotted, and funny as all get-out. What’s to complain about?


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"From Hell" Is Heaven-Sent: Also, "Riding in Cars with Boys" and "The Last Castle"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-24 00:00:00

Johnny Depp in From HellFROM HELL

You can be forgiven for assuming that From Hell, Allen and Albert Hughes’ re-telling of the Jack the Ripper saga (based on the immensely popular graphic novel), is a follow-up to Tim Burton’s Sleepy Hollow, what with its previews focusing on a shadowy murderer, lots of fog and mist, Johnny Depp’s investigator speaking in a British accent (Cockney this time), and Heather Graham in the Christina Ricci role of the Corseted Love Interest.


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Stiller Finally Gets His Breakout Comic Role: "Zoolander," "Joy Ride," and "Serendipity"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-10 00:00:00

Ben Stiller in ZoolanderZOOLANDER

Those of us who’ve been waiting, in film after film, for Ben Stiller to hit the comedic peaks he reached on his short-lived TV series The Ben Stiller Show might find Zoolander pretty irresistible.


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A Sinking Heart Over "Atlantis": "Hearts in Atlantis" and "Don't Say a Word"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-10-03 00:00:00

Anton Yelchin and Hope Davis in Hearts in AtlantisHEARTS IN ATLANTIS

Given current events, are audiences now so hungry for nostalgic, nonthreatening entertainment that they’ll happily accept something as profoundly awful as Hearts in Atlantis? If so, you certainly can’t blame them, but Lord knows they deserve better than this mawkish Stephen King adaptation, a gooey and incoherent fable that gets more maddening as it progresses. I have friends who swear by the greatness of King’s novel (unread by me), but the film version comes off as a mixture of the feyest aspects of the mostly terrific Stand by Me (based on King’s novella The Body) and the metaphysical hokiness of King’s The Green Mile. It proves to be a nearly unbearable combination, and yet something tells me that this wimpy, unfocused film could turn into a big hit among those who believe, as its author apparently does, that America died right about the time King turned 13.


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In Praise of Guilty Pleasures: "The Glass House," "Hardball," and "Two Can Play That Game"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2001-09-19 00:00:00

Leelee Sobieski in The Glass HouseTHE GLASS HOUSE

The domestic thriller The Glass House is obvious and over-the-top from the word go, and that’s what I liked about it. It takes true chutzpah to pull off a movie with visuals this baroque and plotting this convoluted; it might be the most trashily enjoyable work of its kind since 1997’s The Devil’s Advocate. Like that Al Pacino craptacular, The Glass House has no higher agenda than showing audiences, in horror-flick form, the luridness behind ultra-rich “perfection,” and it’s so up-front about its limited ambitions, and so earnestly performed by its top-tier cast, that you can easily lean back and enjoy it for the stylish dreck it is. Is it a good movie? Nah. An entertaining one? Hell, yes.


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