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items tagged with Thrillers

Near-Def Experience: "Heaven Is for Real," "Transcendence," "Bears," and "A Haunted House 2"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-04-21 18:25:09

Greg Kinnear and Kelly Reilly in Heaven Is for RealHEAVEN IS FOR REAL

So far this year, audiences for faith-based films at the multiplex have been treated to Son of God, God’s Not Dead, and Noah, and now there’s director Randall Wallace’s Heaven Is for Real to add to the mix. Have the Hollywood powers-that-be heard something about an imminent Rapture that the rest of us haven’t? Should I now be feeling awkward and guilty about my raucous laughter at This Is the End?


Read More About Near-Def Experience: "Heaven Is For Real," "Transcendence," "Bears," And "A Haunted House 2"...


Bee Prepared: "Bad Words," "Enemy," and "Sabotage"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-31 14:41:47

Rohan Chand and Jason Bateman in Bad WordsBAD WORDS

It’s not impossible to make a comedy centered on an angry, sullen, emotionally inaccessible bastard, as Oscar Isaac recently proved in Inside Llewyn Davis. In that film, however, Isaac had a Coen-brothers script and a bunch of sensational folk songs to help carry him through. In Bad Words, director/star Jason Bateman merely has a half-workable comic conceit and access to unlimited profanities. The anger, sullenness, and inaccessibility, I’m sorry to say, win out.


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Four Stories and Seven Hours or So – Notes on a Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," and "God’s Not Dead"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-25 20:01:29

Theo James and Shailene Woodley in DivergentMarch 24, 10:30 a.m.-ish: After several days spent visiting friends in Ohio – among them, now, my hosts’ adorable 17-month-old daughter – I return to my movie-reviewing duties filled with fresh perspective and hope for the future. Then I see Divergent, which earned $54.6 million over the weekend, and is already green-lit for two follow-up films. Well, the feeling was fun while it lasted.


Read More About Four Stories And Seven Hours Or So – Notes On A Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," And "God’S Not Dead"...


Airport '14: "Non-Stop" and "Son of God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-01 19:02:44

Liam Neeson in Non-StopNON-STOP

Every Academy Awards season, the idea of adding a Best Casting category appears to gain some traction among film journalists and professionals. (This past autumn saw the limited release of a documentary – Tom Donahue’s Casting by – devoted to the subject, and Woody Allen, whom one would’ve thought indifferent to the Oscars at best, even wrote an open letter to the Hollywood Reporter in support of a casting trophy.) I’m personally fine with restricting the ceremony to the two dozen categories we do have, but if such recognition were to be included, voters could do worse than to consider Amanda Mackey and Cathy Sandrich Galfond – casting directors for the enjoyably ludicrous Non-Stop – for the prize. To be sure, it doesn’t take much wit to suggest that Liam Neeson play a grieving alcoholic with a bad temper and a gun. But casting, as two beleaguered flight attendants, 12 Years a Slave’s abused slave Patsey opposite Downton Abbey’s rigid Lady Mary? Now that’s witty.


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Are You Not Entertained?!: "Pompeii," "3 Days to Kill," and "Winter’s Tale"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-02-23 19:23:46

Adewale Akinnuoye-Agbaje and Kit Harington in PompeiiPOMPEII

About a half-hour into Paul W.S. Anderson’s Pompeii, the film’s protagonist – a gladiator-turned-slave amusingly named Milo – hears the unfamiliar sound of the nearby Mount Vesuvius preparing to erupt. “It is the mountain,” says Milo’s comrade Atticus. “It grumbles from time to time.” So do movie reviewers, and this latest 3D action spectacle by the director of Mortal Kombat, Death Race, and a trio of Resident Evil flicks would, at first glance, appear to be exactly the sort of thing I’d personally grumble about: a predictably corny, derivative, overscaled costume party with loads of generic violence and nothing in the way of subtlety or emotional nuance.

Yet while it’s easy to name the movie’s most direct influences, Gladiator and Titanic chief among them, what I didn’t at all expect was for this swords-and-sandals outing to be so thoroughly, cheerfully indebted to 1970s disaster epics in the vein of The Towering Inferno and The Poseidon Adventure; Pompeii, to its cheeky credit, is kind of like 1974’s Earthquake with the ancient Roman city cast in the role of Los Angeles.


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