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items tagged with Thrillers

Qualms Before the Storm: "A Most Violent Year," "Journey to Space 3D," "Black or White," "The Loft," and "Project Almanac"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-02-01 23:39:41

Jessica Chastain and Oscar Isaac in A Most Violent YearLike a squirrel gathering nuts before winter, I made a conscious effort to catch all five of this past weekend’s debuting releases before our area was hit by the blizzard from Hell. (An oxymoronic expression, but whatever.) And because, with the exception of the museum’s feature, even the really good one will likely be gone before the snowy onslaught begins to melt, let’s take care of ’em quickly. In descending order of preference ... .


Read More About Qualms Before The Storm: "A Most Violent Year," "Journey To Space 3D," "Black Or White," "The Loft," And "Project Almanac"...


In Too Depp: "Mortdecai," "The Boy Next Door," and "Strange Magic"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-01-24 21:38:40

Johnny Depp in MortdecaiMORTDECAI

Mortdecai, a Clouseau-esque slapstick about a bumbling art dealer and a missing Goya, isn’t so much a movie as it is a test, and one with a single question: Just how much Johnny Depp can you still stomach? For me, the answer turned out to be “more than I expected,” because while director David Koepp’s comedy is crummy in many ways, it did crack me up a good dozen times, and every time because its generally overexposed star did or said something that caught me completely, joyously off-guard.


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Tickler, Failure, Soldiers, Spies – Notes on a Quadruple Feature: "Blackhat," "Paddington," "The Wedding Ringer," and "American Sniper"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-01-18 01:22:06

Wei Tang and Chris Hemsworth in BlackhatFriday, January 16, 10:05 a.m.-ish: My first and final quadruple feature of 2015 (yeah, right) begins with the Michael Mann thriller Blackhat, which opens with the camera racing within a computer module and deeper and deeper into the internal workings of binary code, like a burrowing reverse of Robert Zemeckis’ introductory shot in Contact. At its climax, we discover that we’ve been watching the process by which a faraway cyber-terrorist sets off an explosion at a Chinese nuclear facility, and it’s a juicy, unsettling prelude – so good, and so promising, that it probably takes longer than it should to realize the movie is goofy as hell.


Read More About Tickler, Failure, Soldiers, Spies – Notes On A Quadruple Feature: "Blackhat," "Paddington," "The Wedding Ringer," And "American Sniper"...


Kill to Shoot: "Nightcrawler," "Before I Go to Sleep," "The Best of Me," "Galapagos 3D: Nature’s Wonderland," and "The Galapagos Affair: Satan Came to Eden"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-03 02:54:43

Jake Gyllenhaal in NightcrawlerNIGHTCRAWLER

Writer/director Dan Gilroy’s Nightcrawler is the tale of an obsessive creep who becomes a dedicated entrepreneur in the field of exploitation journalism, and it stars Jake Gyllenhaal. Hoo boy does it star Jake Gyllenhaal. Two days after seeing the film, I’m still not sure what it was aiming to be: a scuzzy urban thriller? A dark comedy? A withering social critique in the vein of Network? All of the above? But what it winds up being is nearly two full hours of The Jake Gyllenhaal Show, a movie that would barely exist if not for the feral, ferociously busy performance of its lead. In this particular case, not existing wouldn’t have been the worst thing in the world.


Read More About Kill To Shoot: "Nightcrawler," "Before I Go To Sleep," "The Best Of Me," "Galapagos 3D: Nature’S Wonderland," And "The Galapagos Affair: Satan Came To Eden"...


How the Grinch Stole Brooklyn: "St. Vincent," "John Wick," and "Ouija"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-26 23:15:25

Jaeden Lieberher and Bill Murray in St. VincentST. VINCENT

St. Vincent stars Bill Murray as the titular (if decidedly un-saintly) Vincent, a cranky, disheveled grump who may be the meanest man in Brooklyn, if not all of New York. He speaks in a honking regional dialect and guzzles brown liquor by the quart, and his only pals are a pair of fellow barflies and the local hooker-with-a-heart-of-gold. He’s frequently seen chain-smoking in a porkpie hat with oversize sunglasses, and spends his days at the track making losing bets with his bookie. At his ramshackle home, he watches old Abbott & Costello movies on an ancient television and, when drunk, drives straight over his white picket fence. When a neighbor kid needs to use a pay phone, Vincent begrudgingly gives him a dime for the call. Given all this, in what year would you guess St. Vincent takes place? 1957? 1958?


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