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items tagged with Timothy Olyphant

Rebel without a Planet: “I Am Number Four,” “Unknown,” and “Big Mommas: Like Father, Like Son”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-02-20 20:08:57

Dianna Agron and Alex Pettyfer in I Am Number FourI AM NUMBER FOUR

A handsome, troubled, rebellious transfer student dealing with alienation and the wrath of bullies at his new high school. The kid’s ineffectual father, shrugging off his child’s loneliness and conflicts with the authorities. The kid’s one new friend, a withdrawn, frequently picked-on nerd with his own parental hang-ups. The kid’s potential love interest, a pretty, popular girl who feels like an outsider herself, and appears to be the property of the kid’s chief tormentor. If you’ve seen a certain iconic drama starring Natalie Wood, Sal Mineo, and a red-jacket-wearing James Dean, the aforementioned character descriptions might sound a teensy bit familiar.


Read More About Rebel Without A Planet: “I Am Number Four,” “Unknown,” And “Big Mommas: Like Father, Like Son”...


NYPD Boo-o-o-o-o!: "Cop Out" and "The Crazies"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-28 21:45:00

Tracy Morgan and Bruce Willis in Cop OutCOP OUT

I bow to no one in my adoration for Chasing Amy, Jay & Silent Bob Strike Back, Clerks, and Clerks II. Still, I think it's safe to say that even those of us who frequently love the movies of New Jersey auteur Kevin Smith have always kind of wished he'd find a different director for them. His profanely hilarious, emotionally direct scripts can be exhilarating, but can you imagine how much better they might've played under the guidance of someone who actually knew where and how to position a camera?
Read More About NYPD Boo-O-O-O-O!: "Cop Out" And "The Crazies"...


Goner, Baby, Goner: "The Lovely Bones," "The Book of Eli," and "Bad Lieutenant: Port of Call New Orleans"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-01-18 12:00:00

Saoirse Ronan in The Lovely BonesTHE LOVELY BONES

The Lovely Bones, director Peter Jackson's long-awaited take on Alice Sebold's beloved novel, is a stupefyingly bad movie, the kind of big-screen debacle that makes you wonder if its entire creative team wasn't suffering through some hideous, collective blockage of talent all throughout filming. You can feel it going wrong in the first minutes, when a car's quick swerve results in an unconvincing and inappropriately comedic loss of a hubcap, but the shock of Jackson's endeavor is that practically nothing in it goes right. Tonally, just about every scene here feels a little bit off, and the rest feel way, way off; it's almost as if Jackson, screenwriting collaborators Fran Walsh and Philippa Boyens, and a (usually) wildly gifted cast purposely set out to make the absolute worst Lovely Bones adaptation possible.


Read More About Goner, Baby, Goner: "The Lovely Bones," "The Book Of Eli," And "Bad Lieutenant: Port Of Call New Orleans"...


Joe Blow(s): "G.I. Joe: The Rise of Cobra" and "A Perfect Getaway"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2009-08-10 00:03:10

Sienna Miller in G.I. Joe: The Rise of CobraG.I. JOE: THE RISE OF COBRA

Anticipating that the movie would suck, a friend extended a challenge prior to my screening of G.I. Joe: The Rise of Cobra: Try making it through the whole movie without thinking of Team America: World Police.


Read More About Joe Blow(S): "G.I. Joe: The Rise Of Cobra" And "A Perfect Getaway"...


Thanksgiving Leftovers: "August Rush," "This Christmas," "Hitman," and "Awake"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-12-05 08:30:51

Jonathan Rhys Meyers and Freddie Highmore in August RushAUGUST RUSH

There's a scene in the tear-jerker August Rush in which the titular musical prodigy (Freddie Highmore) and a friendly Irish rocker (Jonathan Rhys Meyers) - unaware that they're father and son - engage in a happy bit of dueling guitars in Central Park, their matching grins widening as the improvised strumming reaches its climax. It's a great moment, and I mention it because it's the only one in the film that I didn't find excruciating.


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