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items tagged with Tina Fey

Four Stories and Seven Hours or So – Notes on a Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," and "God’s Not Dead"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-03-25 20:01:29

Theo James and Shailene Woodley in DivergentMarch 24, 10:30 a.m.-ish: After several days spent visiting friends in Ohio – among them, now, my hosts’ adorable 17-month-old daughter – I return to my movie-reviewing duties filled with fresh perspective and hope for the future. Then I see Divergent, which earned $54.6 million over the weekend, and is already green-lit for two follow-up films. Well, the feeling was fun while it lasted.


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Girls Gone Wilder: "Spring Breakers," "Application," and "The Croods"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-01 16:47:56

Selena Gomez, Rachel Korine, Vanessa Hudgens, and Ashley Benson in Spring BreakersSPRING BREAKERS

At the screening of Spring Breakers that I attended, I counted eight viewers who walked out of the movie, and stayed out, well before the end credits rolled. In all honesty, I’m amazed the tally wasn’t higher than that. The movie being touted in print and in trailers promises a rowdy, randy romp in the sun with built-in audience-grabbers: Disney princesses acting nasty! James Franco with cornrows and grillz! But the movie that writer/director Harmony Korine has actually made – despite, indeed, its also being a rowdy, randy romp in the sun – bears so little relation to its cheeky, borderline-innocuous advertising campaign that patrons can be easily forgiven for feeling badly misled and deciding to bolt. It would be like going to see Dumbo and instead getting Gus Van Sant’s Elephant.


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Everything New Is Old Again: Notes on the 2012 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2012-02-27 19:34:55

Best Actress Meryl StreepThe first trophy handed out at the 2012 Academy Awards ceremony was for Best Cinematography, a prize that I predicted would go to The Tree of Life but that instead went to Hugo. (Seriously, after his undeserved losses for 2006’s Children of Men and now the Terrence Malick film, exactly whom does Emmanuel Lubezki have to do to win an Oscar?) But that was actually my second incorrect assumption of the evening, because as soon as host Billy Crystal stepped on stage, I said to the others at my viewing party, “Here comes the standing ovation,” and the audience – despite giving the man a warm reception – remained seated. Did the crowd have a collective premonition of just how spectacularly Crystal would bomb last night?


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Brains, Heart, Courage, and the Wizards of Odd: "Megamind," "Waiting for 'Superman,'" "For Colored Girls," and "Due Date"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-11-07 18:45:30

MegamindMEGAMIND

Since Universal Pictures’ fizzy, funny animated hit Despicable Me was released a mere four months ago, it’s hardly possible that DreamWorks’ new Megamind could be considered an intentional ripoff, despite a plot that also finds an über-villain gradually morphing into an über-hero. And despite the film’s haughty, antagonistic protagonist performing his evil deeds alongside a goofy, tag-along minion. And despite this blobby little homunculus being named Minion. (Seriously, are there no fresh ideas in Hollywood?)


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’Til Death Threats Do Us Part: "Date Night" and "Letters to God"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-04-11 19:53:50

Tina Fey and Steve Carell in Date NightDATE NIGHT

Playing husband and wife in the marital action comedy Date Night, Steve Carell and Tina Fey partner each other with such skillful ease, and radiate such genuine affection for one another, that my issues with the film have come to feel insignificant, and even a little petty. I had a not-bad time at director Shawn Levy's latest. But reflecting on the experience, I've found it awfully difficult to wipe the grin from my face; surrounded by an exceptional cast of second bananas, Carell and Fey are so genial and inventive together that it's easy to ignore the dully synthetic, determinedly formulaic Hollywood product they're appearing in.
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