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items tagged with To Kill a Mockingbird

Much Ado About Many Things: Spring Theatre in the Quad Cities and Surrounding Areas
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2009-03-04 01:43:43

The Prenzie Players' Much Ado About NothingThe Quad Cities' spring theatre season will be bookended by Shakespeare, with the March 6 opening of Much Ado About Nothing, and Sophocles, with the May 28 debut of Oedipus Rex. But just because these plays are, respectively, more than 400 and 2,400 years old, it probably isn't wise to enter them expecting the expected. This Sophocles, after all, is subtitled The Audacity of Oed, and this Shakespeare is being staged by the Prenzie Players, so in both works, you may as well expect anything to happen; considering our lineup also features titles by Stephen Sondheim, Neil Simon, Euripides, and Mel Brooks, I'm thinking you can say the same for the theatre season as a whole.


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“I’d Like to Thank … ”: 2006 Oscar Aftermath
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2006-03-08 00:00:00
In the minutes following the announcement of this year’s Academy Awards nominations, media outlets were abuzz about the downbeat nature of the major contenders, and it was widely predicted that this year’s Oscar telecast – which aired on Sunday, March 5 – would be the lowest-rated one in ages.
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Hoffman Dazzles in a Remarkable "Capote": Also, "Hoodwinked" and "The New World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-01-25 00:00:00

Philip Seymour Hoffman in CapoteCAPOTE

When I first saw Bennett Miller’s Capote back in November, I was so knocked out by Philip Seymour Hoffman’s portrayal that I fear I may have undervalued the movie itself; Hoffman’s channeling of this singular author was so extraordinary that, although the film itself wouldn’t fit anyone’s definition of “feel-good,” I’m not sure I stopped smiling once through its two-hour running length. (Performances of this quality have a way of putting me in a fantastic mood, regardless of a movie’s subject matter.) But on a return visit to Capote this past weekend, I was able to more fully luxuriate in the brilliance of its design and the strength of its presentation; what could have been a “mere” performance piece proves, in the hands of Miller and screenwriter Dan Futterman, to be a work of rare artistry and depth. Capote is so beautifully crafted – thematically rich, psychologically insightful, and mordantly funny – that you might be embarrassed by what a fine time you’re having at it.


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