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items tagged with Tom Hanks

Buddies Hack It: "The Incredible Burt Wonderstone" and "The Call"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-03-17 23:04:00

Steve Carell, Steve Buscemi, and Jim Carrey in The Incredible Burt WonderstoneTHE INCREDIBLE BURT WONDERSTONE

A mere week after the release of Oz the Great & Powerful, the garish, boring box-office smash that’s neither great nor powerful, Misnomer March continues with The Incredible Burt Wonderstone, a comedy about warring Las Vegas magicians that’s awkwardly cast, overly sentimental, and decidedly not incredible. Yet considering how roundly disappointing the 2013 film year has been thus far, you can still have a fair amount of fun at director Don Scardino’s outing, despite this slapstick with heart being scattershot at best, and despite the movie almost appearing apologetic about its most unexpected and mordantly funny bits.


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A Map of the World: "Cloud Atlas," "Chasing Mavericks," and "Silent Hill: Revelation"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-10-29 12:50:52

Tom Hanks and Halle Berry in Cloud AtlasCLOUD ATLAS

I’ve seen plenty of movies in which a number of excellent passages can’t seem to blend into a satisfying whole. But prior to the release of Cloud Atlas, the film version of David Mitchell’s sprawling 2004 novel, I don’t think I’d ever seen a movie in which so many merely adequate sequences combine to form a whole that’s not only satisfying but downright exhilarating. Directed by Tom Tykwer and siblings Andy and Lana Wachowski and running just shy of three hours, this genre fantasia should be a mess, and it oftentimes is. It’s also, however, a hypnotic, glorious, grandly entertaining mess, one that’s probably far more enjoyable than a more presentationally faithful adaptation would’ve been.


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Ground Zero Offense: "Extremely Loud & Incredibly Close," "Red Tails," and "Haywire"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-23 15:34:23

Tom Hanks and Thomas Horn in Extremely Loud & Incredibly CloseEXTREMELY LOUD & INCREDIBLY CLOSE

The protagonist of director Stephen Daldry’s Extremely Loud & Incredibly Close – based on Jonathan Safran Foer’s famed 9/11/01-themed novel and adapted by screenwriter Eric Roth – is Oskar Schell, an 11-year-old Manhattanite who tells a new acquaintance that he was once tested for Asperger’s syndrome, but that “the results weren’t definitive.” My first thought upon hearing that admission was that Oskar’s folks really should’ve sought a second opinion, because with young actor Thomas Horn tearing through breathless reams of stream-of-consciousness dialogue, his condition seemed definitive as all-get-out. My second thought, which I only fully composed during the end credits, and which I apologize for in advance, was that watching Extremely Loud was like watching a movie while an 11-year-old with Asperger’s yammers in your ear for 130 minutes.


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... And "Jack & Jill" Came Tumbling After: 150 Movies Not on 2011's 10-Favorites List
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2012-01-01 12:00:00

The MuppetsEvery January, I share my numerical rankings of the 10 most enjoyable movies I saw during the previous year. I do not, however, share my numerical rankings of all the other titles I caught during those 12 months, as such a list would, I think, be hopelessly arbitrary, terribly self-indulgent, and something that only a person with too much time on his hands would attempt.

Let’s get cracking, shall we?


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Men Who Hate Women and the Women Who Loathe Them: “The Girl with the Dragon Tattoo,” “The Adventures of Tintin,”and “Alvin & the Chipmunks: Chipwrecked”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2011-12-22 20:17:04

Rooney Mara and Daniel Craig in The Girl with the Dragon TattooTHE GIRL WITH THE DRAGON TATTOO

Although I haven’t read the book and now have no desire to, my guess is that those who love author Stieg Larsson’s The Girl with the Dragon Tattoo will likely love the new film version, which boasts exceptional style and (as I understand it) doesn’t significantly veer from the novel’s narrative. Similarly, those who genuflect at the altar of David Fincher – and I’m occasionally one of them – will find plenty to adore here, as the director’s signature imprint is on every seedy, suggestive, sepia-toned image.


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