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items tagged with Tom Morrow

The Vampire, the Dane, and the Guy in the Dress: “Laughing Stock,” at the Richmond Hill Barn Theatre through April 26
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2009-04-20 12:00:00

Alex Klimkewicz, David Rash, and Bill Hudson in Laughing StockAs with a person, sometimes you can fall immediately, madly, irrationally in love with a play. And I think I fell in love with author Charles Morey's Laughing Stock within its first two minutes, when artistic director Gordon Page (Don Hazen) introduced visiting actor Jack Morris (Alex Klimkewicz) to his venerated theatre in New Hampshire, and the young man took a moment to assess his surroundings before saying, incredulously, "It's a barn."


Read More About The Vampire, The Dane, And The Guy In The Dress: “Laughing Stock,” At The Richmond Hill Barn Theatre Through April 26...


Take Five(s): Ensembles, Pairings, Debuts, Technical Achievements, Shockers, and Accidents
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2008-12-16 15:01:32

Tom Walljasper, Sandra D Rivera, Tristan Layne Tapscott, and Erin Dickerson in Are We There Yet Five Extraordinary Ensembles

An actor friend of mine says he always wants to be the worst performer in everything he's in, because if the rest of the cast is doing stronger work than he is, that means the show is in really, really good shape. With that in mind, any actor worth his or her salt would be thrilled to be the worst performer among these five ensembles.

 


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Victorian’s Secret: "Angel Street," at the Richmond Hill Barn Theatre through October 12
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2008-10-08 08:36:39

Tom Naab and James V. Driscoll in Angel Street Playwright Patrick Hamilton's Angel Street, the season-closing presentation at the Richmond Hill Barn Theatre, was the stage inspiration for George Cukor's mystery/thriller Gaslight, so it's kind of appropriate that the production's gas lights are perhaps its cleverest touch. I'm often remiss in praising the design for Richmond Hill shows, especially given the inherent (and considerable) challenges of theatre-in-the-round. But Angel Street is so technically assured and aesthetically pleasing that I found myself grinning in the first mood-setting seconds of director Tom Morrow's Victorian drama. (I'm calling it a drama rather than a mystery and/or thriller because the show isn't really much of either. But more on that later.)


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Unreasonable Doubts: "12 Angry Men," at the Playcrafters Barn Theatre through May 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2008-05-14 08:16:39

12 Angry Men ensemble members Near as I can tell, there are two types of people: those who like Reginald Rose's jury-room drama 12 Angry Men, and those who haven't seen it yet. So speedy and smart, so filled with personality and (mostly) unforced emotion, the work seems practically indestructible, and I actually fall into a special subset of people: those who love 12 Angry Men with a passion bordering on mania. (Between Sidney Lumet's 1957 film version and the 1997 television remake, I've watched it - and this is a conservative estimate - more than three dozen times.) So it was with nearly delirious excitement, and just a touch of dread, that I attended the Playcrafters Barn Theatre's Saturday-night presentation of the show, the first stage production of Rose's piece that I'd seen.


Read More About Unreasonable Doubts: "12 Angry Men," At The Playcrafters Barn Theatre Through May 18...


Sets Appeal: St. Ambrose University’s "Charlotte’s Web" and Music Guild’s "Miracle on 34th Street"
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-12-05 08:40:32

Ryan Westwood and Emily Christiansen in Charlotte's Web If I counted correctly, St. Ambrose University's Charlotte's Web and Quad City Music Guild's Miracle on 34th Street featured a grand total of five dozen actors between them. Yet the true stars of both musicals weren't among those individuals; despite boasting an excellent Wilbur the Pig in Ryan Westwood, Charlotte's Web was primarily a triumph for set designer Kristofer Eitrheim, and Miracle belonged to no one so much as scenic artist Bob Williams. Eitrheim's and Williams' contributions were dazzling, and my only regret in raving about their work now is that it's too late for new audiences to admire it. (Both presentations ran only one weekend and closed on December 2.)


Read More About Sets Appeal: St. Ambrose University’S "Charlotte’S Web" And Music Guild’S "Miracle On 34th Street"...





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