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items tagged with Tom Morrow

Sets Appeal: St. Ambrose University’s "Charlotte’s Web" and Music Guild’s "Miracle on 34th Street"
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-12-05 08:40:32

Ryan Westwood and Emily Christiansen in Charlotte's Web If I counted correctly, St. Ambrose University's Charlotte's Web and Quad City Music Guild's Miracle on 34th Street featured a grand total of five dozen actors between them. Yet the true stars of both musicals weren't among those individuals; despite boasting an excellent Wilbur the Pig in Ryan Westwood, Charlotte's Web was primarily a triumph for set designer Kristofer Eitrheim, and Miracle belonged to no one so much as scenic artist Bob Williams. Eitrheim's and Williams' contributions were dazzling, and my only regret in raving about their work now is that it's too late for new audiences to admire it. (Both presentations ran only one weekend and closed on December 2.)


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Death Becomes Him: "Death Takes a Holiday," at the Richmond Hill Barn Theatre through April 22
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-04-18 08:21:05

Dave Rash, Jim Driscoll, & Molly McLaughlin in Actors frequently speak of performers who "raise the bar," whose personal performance standards are so high that they challenge - and inspire - their co-stars to match them. In Death Takes a Holiday, the comedy/drama/supernatural romance currently playing at the Richmond Hill Barn Theatre, James Driscoll raises the bar so high it's practically celestial.


Read More About Death Becomes Him: "Death Takes A Holiday," At The Richmond Hill Barn Theatre Through April 22...


Twisted Sisters: "Arsenic & Old Lace," at the Richmond Hill Barn Theatre through February 25
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-02-21 08:26:26

Kevin DeDecker, Dan Faust, and Tom Morrow in When the Richmond Hill Barn Theatre's current production of Arsenic & Old Lace is really rolling, this venerated black comedy (well, dark-gray comedy) is absolutely delightful. The problem, though - or rather, the problem with last week's opening-night performance - is that Richmond Hill's production doesn't so much roll as lurch; despite their frequently endearing characterizations, the actors on Thursday evening had so much trouble getting their words out that the show never quite found a satisfying rhythm. The experience was like taking a vacation road trip in a vehicle that keeps threatening to stall: You've made it to your destination, and you've had a good time along the way, but you're still a little grateful when it's over.


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Not Exactly Hot, but Awfully Sweet: "Sweet & Hot: The Songs of Harold Arlen" at Playcrafters
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-05-17 07:39:18
About four months ago, my schedule forced me to catch the first dress rehearsal of Playcrafters’ Over the River & through the Woods as opposed to a paid performance, and so I took some personal responsibility for my dissatisfaction with the show; a lot of what seemed to be lacking, I thought, could easily have improved by opening night. It seemed a little unfair to be critiquing a rehearsal. (What better place to err than rehearsal?)

Well, circumstances dictated that I again catch a Playcrafters production before its official opening – I saw the Barn Theatre’s Sweet & Hot: The Songs of Harold Arlen at a preview on Monday, May 8 – for which I apologize. But I don’t apologize much, because this revue already has the right spirit and a host of good feelings (and good performances) exuding from it. This didn’t feel like a rehearsal; it felt like a performance, and a delightful one.

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That Old Barn Magic: Moline’s Barn Theatre Presents Its First Musical in Nearly a Decade
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2006-05-10 08:36:35
Over the past 10 months, the stage space at the Playcrafters Barn Theatre in Moline has been transformed into a ballpark (for the venue’s production of Rounding Third), an Italian villa (for Enchanted April), and the entire town of Bedford Falls (for It’s a Wonderful Life).

But these days, after climbing the stairs to the second level of the Barn, the first thing you notice about the set for Sweet & Hot: The Songs of Harold Arlen (running through May 21) is something more unexpected than anything found on those previous sets: a piano.



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