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items tagged with Topher Grace

In a Stew: "Burnt," "Our Brand Is Crisis," and "Truth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-11-02 05:29:57

Omar Sy and Bradley Cooper in BurntBURNT and OUR BRAND IS CRISIS

This past weekend brought with it not only Bradley Cooper in the genius-chef-in-crisis drama Burnt, but also Our Brand Is Crisis, in which Sandra Bullock plays a political strategist running a Bolivian presidential campaign. You know what this means, right? It may be happening on neighboring screens, but after six long years, we’re finally treated to the All About Steve reunion no one was asking for!
Read More About In A Stew: "Burnt," "Our Brand Is Crisis," And "Truth"...


Deputy Dogged: "Sinister 2," "Hitman: Agent 47," and "American Ultra"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2015-08-23 04:00:52

James Ransone in Sinister 2SINISTER 2

You know the feeling you get when you go to summer camp and make a great new friend, but he/she isn’t there the next summer, or the summer after that, and you end up forgetting about that friend until the next summer, when, all of a sudden, there he/she is? I don’t, because I never went to summer camp. But I’m betting that sensation is similar to what I felt in the first minutes of Sinister 2 once I recognized James Ransone, who played Ethan Hawke’s adorably dippy deputy pal in 2012’s Sinister. Although the actor has amassed a bunch of film and TV credits since then (albeit not in anything I’ve seen), I can’t say I’ve thought of him even once since the release of that low-budget horror hit. Yet the second Ransone’s character showed up in director Cirián Foy’s follow-up, with his chronic awkwardness and puppy-dog eyes and intense likability, it was like being reunited with a long-lost buddy whom you’re ashamed to have let slip away. Ransone’s presence here – as our romantic lead, no less! – was a hugely welcome surprise. That Sinister 2 didn’t at all suck might’ve been a bigger one.
Read More About Deputy Dogged: "Sinister 2," "Hitman: Agent 47," And "American Ultra"...


To Be Continuum-ed: "Interstellar" and "Big Hero 6"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-11-07 19:43:22

Anne Hathaway and Matthew McConaughey in InterstellarINTERSTELLAR

With his breathlessly anticipated, behemoth-sized space opera Interstellar, has Christopher Nolan finally bitten off more than he can chew, or simply more than I can chew? I’d like to believe the latter, considering I like three of Nolan’s eight previous features and adore four others (with apologies to Batman Begins, which I merely tolerate), and considering half the movie’s dialogue is elaborate techo-jargon that I was predisposed not to understand. But like an itchy lover who says “It’s not you; it’s me” when he really means the opposite, I’m still laying most of my dissatisfaction at Nolan’s feet, and for a pretty basic reason: For all of its narrative and technical razzle-dazzle, Interstellar is the man’s first film that’s expressly about humans, and humans aren’t remotely close to being Nolan’s strong suit.


Read More About To Be Continuum-Ed: "Interstellar" And "Big Hero 6"...


Meatheads: "Pain & Gain" and "The Big Wedding"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-04-28 23:04:34

Dwayne Johnson, Mark Wahlberg, and Anthony Mackie in Pain & GainPAIN & GAIN

In Pain & Gain, the witty, savvy, almost perfectly pitched new release by Michael Bay, Mark Wahlberg plays a dimwitted personal trainer who decides he’d rather steal than pursue the American dream, and – .

Yes, I just used “witty,” “savvy,” and “almost perfectly pitched” to describe a Michael Bay movie. Trust me, you’re not as shocked as I am.


Read More About Meatheads: "Pain & Gain" And "The Big Wedding"...


Sparks, and No Sparks: "Dear John," "Valentine's Day," and "The Wolfman"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-02-15 15:32:07

Channing Tatum and Amanda Seyfried in Dear JohnDEAR JOHN

Since no one's been pressing a gun to my head, I haven't read Nicholas Sparks' Dear John, which concerns a pair of star-crossed lovers whose romance is derailed by the young man's Army tenure. I have, however, seen director Lasse Hallström's screen version, which apparently follows the novel's blueprint faithfully (albeit with an altered ending), so permit me a question: Does Sparks have absolutely no shame?


Read More About Sparks, And No Sparks: "Dear John," "Valentine's Day," And "The Wolfman"...





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