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items tagged with Tracy Pelzer Timm

Tales of the Cities: "Living Here," at the Nighswander Theatre through July 1
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2007-06-27 08:21:10

Lori Adams and the Pats Flaherty in Living Here New Ground Theatre's Living Here is composed of five one-acts by local playwrights, each one set in the Quad Cities, and I applaud New Ground's decision to stage this showcase for local talent; the production as a whole is more than inspiring, it's important, and the efforts of these theatrical artisans deserve to be seen.

Which doesn't necessarily mean that I liked them all.


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Stalking Points: New Ground Theatre's "Boy Gets Girl"
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2006-03-01 00:00:00
New Ground Theatre’s presentation of Rebecca Gilman’s stalker drama Boy Gets Girl is sensationally entertaining stuff – the most consistently smartly acted and directed work I’ve yet seen from this organization – and the production becomes all the more impressive when you realize just how easily it could have proven unbearable.
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"Noises Off," Ghostlight Is On
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-09-14 00:00:00
As the adage goes, “Dying is easy; comedy is hard.” Noises Off sure is. Saying that Michael Frayn’s farce requires precision is like saying a fish requires water or Jennifer Lopez requires publicity; the show’s very survival rests on the hairbreadth timing of its repartee and comic business. Frayn’s work is so tightly structured and its momentum so dizzying that the slightest inappropriate pause can completely knock you out of the show’s rhythm, and so I applaud Ghostlight Theatre for not only for tackling the script but often triumphing with it. Dying is easy, comedy is hard, and Noises Off is freakin’ hard.
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New Ground Turns Mamet’s "Boston Marriage" into a Massacre
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-05-25 00:00:00
From first scene to last, New Ground Theatre’s production of Boston Marriage is an almost total misreading of David Mamet’s 1999 work. As usual, New Ground’s decision to tackle offbeat and challenging material is commendable, but its latest offering is so wrong-headed in execution that it makes you understand why audiences often shy away from the offbeat and challenging.
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