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items tagged with Tyson Danner

Apocalypse Now-ish: "boom," at the QC Theatre Workshop through May 18
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2013-05-06 12:00:00

Thomas Alan Taylor and Jessica Denney in boomWhile playwright Peter Sinn Nachtrieb’s boom is slyly hilarious, and the QC Theatre Workshop’s production of it laudable for so many reasons, there is one aspect of the performance that stands out in particular: Angela Elliott’s laugh.


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The Deal of the Art: "Red," at the QC Theatre Workshop through September 8
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2012-08-20 12:00:00

Thomas Alan Taylor and Mike Schulz in RedI went into Red, playwright John Logan's drama about abstract expressionist Mark Rothko and his young assistant Ken, with uncertainty about how to appreciate visual art beyond just liking pretty things I see. I left Friday’s QC Theatre Workshop production with a better understanding of meaning and intent in art, while also feeling a disdain for abstract expressionism, particularly Mark Rothko’s “color fields.” And while I’m not certain that Logan’s intent is for viewers to dislike Rothko or his paintings, I do think he wants audiences to walk away with emotion and opinions about the artist's creations – making my distaste for Rothko evidence that Logan’s work is effective.


Read More About The Deal Of The Art: "Red," At The QC Theatre Workshop Through September 8...


War and Remembrance: “Time Stands Still,” at the Village Theatre through September 25
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-09-19 12:00:00

Eddie Staver III, Kimberly Furness, Mike Schulz, and Jessica Denney in Time Stands StillI quite appreciate the way Kimberly Furness and Eddie Staver III work with tension, using silence, emotional distance, anger, and passionate desire, among other acting tools, to portray the intensity (or lack thereof) in their onstage relationships. Their violent, sometimes stunted, oftentimes broken, yet undeniably sensual connection in both the Curtainbox Theatre Company’s Danny & the Deep Blue Sea in 2008 and Fool for Love in 2010 was breathtaking to watch. And while their current efforts in Time Stands Still are much more subtle, they’re no less dramatic. Instead of their stunning physical work in the previous two shows, Furness’ and Staver’s performances here rely on the verbal and emotional aspects of their relationship, one superbly crafted by these gifted actors.


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"Alexander" the Great: "Alexander & the Terrible, Horrible, No Good, Very Bad Day," at the Circa '21 Dinner Playhouse through May 7
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-04-26 12:00:00

Matthew Wiggin, Tom Taylor, Maeve Martin, Tommy McDowell, Marc Ciemiewicz, and Janos Horvath in Alexander & the Terrible, Horrible, No Good, Very Bad DayNot being a child myself, I can only imagine the delight that kids feel at seeing a much-loved book played out, on stage, before their eyes – which is what's currently happening in the Circa '21 Dinner Playhouse's production of Alexander & the Terrible, Horrible, No Good, Very Bad Day. While I’ve personally never read author Judith Viorst’s work, I do know it’s a popular story among younger readers, and those in the audience during Saturday morning’s performance certainly seemed to like what they were seeing. (They were also at least familiar enough with the source material to be able to shout out the show’s title without a hitch... though I'd bet many could recite much more than that part of the book by heart.)


Read More About "Alexander" The Great: "Alexander & The Terrible, Horrible, No Good, Very Bad Day," At The Circa '21 Dinner Playhouse Through May 7...


Talking Outside the 'box: Kim Furness Discusses the Curtainbox's 10-Year History
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2011-04-05 16:35:31

Kimberly Furness[Author's note: The following was written for TheCurtainbox.com, the Web site for our area's Curtainbox Theatre Company, of which I've been a proud member for nearly a year.]

 

Recently, Curtainbox Theatre Company founder Kim Furness and I sat down over a glass of wine – all right, maybe a couple of glasses – to celebrate her company's 10-year anniversary. She had recently taken over the directing position for the Curtainbox's latest production, Speed-the-Plow (in the wake of original helmer Philip W. McKinley’s recruitment as new director of Broadway’s Spider-Man: Turn Off the Dark), and during our conversation, was happy to share her thoughts on the company’s history. (The David Mamet comedy Speed-the-Plow – featuring Erin Churchill, Dan Hernandez, and myself – runs at the Village of East Davenport’s Village Theatre from April 10 through 23, with preview performances April 8 & 9.)


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