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items tagged with Will Forte

Plastics: "The Lego Movie," "The Monuments Men," and "Vampire Academy"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-02-11 14:28:21

The Lego MovieTHE LEGO MOVIE

Two of the characters in The Lego Movie are Lego Minifigures of Superman and Green Lantern, the latter of whom, here, is an obsequious suck-up whom the Man of Steel can’t stand. That’s a good joke. These decided non-friends are voiced by Channing Tatum and Jonah Hill, who famously played best friends in 21 Jump Street. That’s a good in-joke. The Lego Movie is directed by Phil Lord and Christopher Miller, who also directed 21 Jump Street. That’s a good in-in-joke. But the news that this new animated release is not only the cleverest, most hysterical comedy since 21 Jump Street, but an altogether stronger, more audacious piece of work than at least 90 percent of everything Hollywood gave us last year? No joke at all.


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Plains Spoken: "Nebraska," "Gimme Shelter," and "I, Frankenstein"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-01-26 23:52:43

Will Forte and Bruce Dern in NebraskaNEBRASKA

After opening nationally (in larger markets) in November, Alexander Payne’s comic elegy Nebraska – nominated for six Oscars, including Best Picture and Director – finally hit Quad Cities cineplexes this past weekend. I actually saw the film in Chicagoland over the holidays, and ordinarily, when preparing to review a film I first viewed a month prior, I’d take in a second screening to reacquaint myself with the images, dialogue, and performances. But I didn’t with Payne’s latest. I took in a second screening just for the sheer pleasure of the experience. Memories of Nebraska’s marvelous images, dialogue, and performances, thank you very much, were still wonderfully fresh.


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Father No-Nos Best: "That's My Boy" and "Rock of Ages"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-06-17 18:49:36

Andy Samberg and Adam Sandler in That's My BoyTHAT’S MY BOY

Lord knows I don’t want to encourage him, but if Adam Sandler absolutely must continue to star in comedies released under his Happy Madison Productions banner, could the rest of them at least have the good sense, and bad taste, to be rated R?


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It Ain’t Over ’Til It’s Ogre: "Shrek Forever After" and "MacGruber"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-05-23 21:15:00
Shrek Forever After

SHREK FOREVER AFTER

Has there ever been a cinematic storybook adventure - to say nothing of an animated, comedic one - as profoundly joyless as Shrek Forever After? It's not just that the subject matter for this latest, potentially last, and certainly least of the Shrek series concerns middle-aged dissatisfaction and inertia, themes that aren't exactly conducive to lighthearted escapism. The bigger problem is that nearly everything about the film, from the plotline to the jokes to the voice acting, is lethargic and heavy-spirited, and that air of fatigue is likely intensified if, like me, you catch it in 3D, with the gray of your eyewear dulling the movie's already-pretty-dull color palette. From its opening beats, Shrek Forever After feels less like a follow-up than the grudging fulfillment of a contract obligation, and I left this third sequel feeling about 10 years older than I did before it began.
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Moral Minority: "3:10 to Yuma" and "The Brothers Solomon"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2007-09-12 08:28:57

Christian Bale in 3:10 to Yuma3:10 TO YUMA

James Mangold's dramatic Western 3:10 to Yuma, the remake of a Glenn Ford oater from a half-century ago, is a tough, effective, frequently powerful piece of work. Yet despite its authentic period design and supremely intelligent performances, it feels a little lightweight; a few hours after seeing it, you may not remember much about the experience except having had a good time. Especially considering Hollywood output of late, 3:10 to Yuma is hardly a disappointment, but for all of its thematic richness, the movie is rather generic - it's a modern-day action blockbuster in Old West attire. The film is everything except moving, and I have a sneaking suspicion that Mangold desperately wants it to be.


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