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items tagged with William Shatner

Gold Men Sunset: Notes on the 2013 Academy Awards Telecast
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-02-25 20:33:40

Best Actor Daniel Day-LewisSeth MacFarlane, I thought, did a fine job hosting the 85th Academy Awards ceremony. He turned out to be a fine choice for the frequently thankless Oscar-emcee position, tossing in some fine jokes in between the generally fine production numbers and mostly fine acceptance speeches ... .

I’m sorry, but I am alone in thinking that last night’s telecast, in the end, was just a little too “fine”?


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The Agony of the Ecstasy: "Snitch" and "Escape from Planet Earth"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-02-24 17:48:56

Barry Pepper, Susan Sarandon, and Dwayne Johnson in SnitchSNITCH

As a film star, Dwayne Johnson possesses a lot of gifts – or, at least, sufficiently impressive gifts for what his résumé has required. Though God knows he’s physically intimidating, Johnson is also our most thoroughly genial of ass-kickers, with even his most violent of big-screen endeavors leavened by a welcome lightness of touch and hint of amused self-mockery. And as he has proved in all those bland family entertainments over the years, Johnson still manages to appear game and committed in movies that don’t deserve his considerable charisma, often salvaging entire scenes through unexpectedly silly gestures or readings that show just how inventive a comedian he can be. (I was happy for 10 whole minutes following his brief channeling of co-star Michael Caine in Journey 2: The Mysterious Island. They were about the only 10 minutes during the movie in which I was happy.)


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The Too-Quiet American: “The American,” “Going the Distance,” “Machete,” and “The River Is Life”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2010-09-06 19:44:36

George Clooney in The AmericanThere's so much that's impressive about The American that I feel somewhat guilty for briefly nodding off, twice, during the course of the film. But in my defense - and unlike the gentleman sitting in the row ahead of me - I'm at least reasonably sure I didn't snore.
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Power Grabber: “X-Men: The Last Stand,” “See No Evil,” and “Over the Hedge”
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-05-31 05:12:50

Halle Berry, Patrick Stewart, Hugh Jackman, and Ian McKellen in X-Men: The Last StandX-MEN: THE LAST STAND

In his X-Men films of 2000 and 2003, Bryan Singer managed a marvelous blend of gravitas, insouciance, and pure ass-kicking spectacle, and the highest praise I can give X-Men: The Last Stand is that director Brett Ratner, nearly scene for scene, fools you into thinking that Singer helmed this one as well. For a director with an indistinct visual style, there are far worse ways to go than aping the visual style of others, and in the case of The Last Stand, Ratner’s channeling of Singer’s tone seems less unimaginative than duly reverent, and even inspiring; you can feel Ratner working diligently to not louse up Singer’s vision. And he hasn’t. This third, and purportedly final, entry in the mutant-superhero saga is a spectacular entertainment, and if you were worried that Ratner’s participation would guarantee acceptable effects but little in the way of personality, your fears will prove unfounded – it’s a more-than-satisfying wrap-up to the trilogy.


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Idle "American": "American Dreamz," "The Wild," and "Scary Movie 4"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-04-26 00:00:00

Mandy Moore in American DreamzAMERICAN DREAMZ

American Dreamz is like a middling Saturday Night Live skit that never ends. In writer/director Paul Weitz’s conception, the president is a slow-witted dolt being puppeteered by his staff, the participants on an American Idol-type mega-hit are a combination of talentless sweeties and fame-hungry monsters, and the American public happily buys every piece of pop-fueled mediocrity placed before it, especially when it’s swathed in the sentimental, jingoistic guise of “patriotism.” Wherever did Weisz come up with such fresh objects of ridicule?


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