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items tagged with Woody Allen

The 2004 Alternate Oscars
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2004-02-25 00:00:00
For the past couple of years, as a prelude to the Academy Awards presentation (scheduled to air on ABC at 7 p.m. on Sunday, February 29), I’ve devoted an article to re-constructing the top six Oscar categories, replacing what I felt were unworthy contenders with my own personal preferences; this enabled me to extoll the virtues of the deserving while also allowing me to whine, “Why the hell didn’t Naomi Watts get noticed for Mulholland Dr.?” And before this year’s contenders were announced in late January, I was already writing my annual article in my head: “Where’s Johnny Depp’s nomination? And what about Keisha Castle-Hughes? And how about Marcia Gay Harden and Shohreh Aghdashloo and Fernando Meirelles?” And then what did the Academy go and do? They nominated them all.
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New Woody Film Marks a Return to Form: "Anything Else," "Secondhand Lions," "Cold Creek Manor," and "Cabin Fever"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-09-24 00:00:00

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen’s cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year’s Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)


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"Wind" a Mighty Achievement Indeed: "A Mighty Wind" and "Daddy Day Care"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-05-14 00:00:00

Harry Shearer, Michael McKean, and Christopher Guest in A Mighty WindA MIGHTY WIND

This might sound like an overstatement, but with A Mighty Wind, writer-director Christopher Guest, aided immeasurably by regular co-scenarist Eugene Levy and his cast of brilliant improv artists, has secured his place as the most distinctive voice in American film comedy since the ’70s heyday of Mel Brooks and Woody Allen. (And judging by the applause that greeted the film’s finale at the screening I attended, I’m not alone in thinking this.)


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"Antwone Fisher" Wins – as the Most Overrated Movie of 2002: Also, "Biker Boyz" and "Real Women Have Curves"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-02-12 00:00:00

Derek Luke and Denzel Washington in Antwone FisherANTWONE FISHER

It’s a bit late, but it finally arrived. The closing of each year brings with it at least one touching, inspirational, triumph-of-the-human-spirit movie designed to make audiences weep and Oscar voters genuflect, while certain Midwestern film critics roll their eyes and wish they could throw things at the screen. (Previous examples: I Am Sam, The Hurricane, and Shine.) For a while, it looked like 2002’s might be About Schmidt, but the film barely qualified; it wasn’t incompetently made, and it did provide a few laughs. At last, though, we have a winner.


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"Spider-Man" Takes Flight with Giddy Action: Also, "Hollywood Ending"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2002-05-08 00:00:00

Tobey Maguire and Kirsten Dunst in Spider-ManSPIDER-MAN

Your enjoyment of Sam Raimi’s Spider-Man adaptation will, I think, boil down to just how realistic you want your special effects to be. I imagine that even those who haven’t yet seen the film – and there must be at least three or four of you out there – will have seen the previews of our hero as he leaps across buildings and whooshes through downtown Manhattan, and they’re all most obviously computer-generated effects; I have friends who refuse to see the film because of how bored they already are of CGI in movies.


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