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items tagged with Woody Allen

Heavy Metal: "Iron Man 3" and "Space Junk 3D"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2013-05-06 02:01:48

Robert Downey Jr. in Iron Man 3IRON MAN 3

Iron Man 3 begins with narration by Tony Stark, the superheroic multi-billionaire voiced and eventually embodied, as always, by Robert Downey Jr. His tone is steady and somber as he makes ominous pronouncements about the uncertain state of the world and how we each create our own demons and such, but before long, Stark’s more expectedly breezy, wise-ass nature takes over – he stumbles over his words and realizes his blathering isn’t really going anywhere, and quickly puts a kibosh on the opening address. The whole routine is reminiscent of Woody Allen’s hilariously neurotic “Chapter one ... ” intro at the start of Manhattan, and immediately suggests that this second sequel to 2008’s effects-laden blockbuster will be both deathly serious and happily insouciant. And it is. I’m just not completely convinced, in the case of Iron Man 3, that that’s a good thing.


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Magic / Mike: Schulz’s 10(-Plus) Most Enjoyable Movies of 2012
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:15:13

It’s incomplete, with such 2012 releases as Zero Dark Thirty, Amour, Rust & Bone, Arbitrage, The Intouchables, Not Fade Away, and Here Comes the Boom (ha ha!) still requiring my viewing. And it’s certainly eclectic, as even I can’t fathom a double feature of titles number one and two below. But in an all-around outstanding year for movies, the following ranking of 10 selections – with a bonus inclusion – is, as of January 6, my list of the absolute best times I had as a film fanatic this past year.


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Project CLX: A Ranking of 2012 Movies Beyond Mike's Top 10
Written By: Mike Schulz
Section: Movies

Category: Feature Stories

2013-01-07 16:00:02

Sam Rockwell and Colin Farrell in Seven Psychopaths“So, Mike, what did you think of the other 2012 movies you saw?”

Gosh, how nice of you to ask!

In descending order of appreciation ... .


Read More About Project CLX: A Ranking Of 2012 Movies Beyond Mike's Top 10...


Pilot Lit: "Flight," "Wreck-It Ralph," and "The Man with the Iron Fists"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-11-05 03:04:15

Denzel Washington in FlightFLIGHT

Within the first 15 minutes of director Robert Zemeckis’ Flight, you’ll witness what must rank as one of cinema’s most frightening, emotionally wrenching plane crashes. Yet in the end, and as harrowing as this passage is, I’m not sure that it’s actually more terrifying or heartbreaking than the scenes of Denzel Washington’s Whip Whitaker – the pilot whose heroic actions save 96 lives aboard that ill-fated flight – battling his urge to drink and, with only the mildest feelings of regret, losing that battle again and again and again.


Read More About Pilot Lit: "Flight," "Wreck-It Ralph," And "The Man With The Iron Fists"...


Viva Italia!: "To Rome with Love," "Savages," and "Katy Perry: Part of Me"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-07-09 17:50:33

Ellen Page and Jesse Eisenberg in To Rome with LoveTO ROME WITH LOVE

After Woody Allen’s rather staggering success with Midnight in Paris – personal-best box-office, the man’s first Academy Award in 25 years – I guess it was inevitable that critics, as a whole, would greet the filmmaker’s follow-up project with a collective “meh.” And that’s certainly happened with Woody’s new To Rome with Love. (Not that it matters, but the comedy is currently sitting with a “45-percent fresh” rating – i.e., “not fresh at all” – at the review aggregator RottenTomatoes.com.)

But I’d argue that the movie’s less generous critics have picked entirely the wrong picture to be indifferent toward, because the To Rome with Love that I saw was sensational – charming, hilarious, imaginative, and, in its offhanded way, enormously adventurous. As Woody’s latest is composed of a quartet of frothy comic vignettes set in the Eternal City, all of them reminiscent of the short fictions he occasionally writes for The New Yorker, it’s easy to see how the film is being perceived as slight. Yet that description, while somewhat accurate, doesn’t begin to suggest the masterly finesse and intelligence that Woody and his tremendous cast demonstrate here. If Midnight in Paris remains the writer/director’s finest achievement of the past two decades, To Rome with Love easily lands in the top five, and with more than 20 releases to choose from, that’s hardly something to sniff at.


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