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items tagged with Woody Harrelson

Shooting Stars: “Hollywoodland,” “A Scanner Darkly,” “Invincible,” “The Illusionist,” "Crank," and "The Wicker Man"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-09-13 04:49:56

Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.


Read More About Shooting Stars: “Hollywoodland,” “A Scanner Darkly,” “Invincible,” “The Illusionist,” "Crank," And "The Wicker Man"...


"Companion" Piece: "A Prairie Home Companion," "Cars," and "The Omen"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2006-06-14 05:11:08

Garrison Keillor, Meryl Streep, and Lindsay Lohan in A Prairie Home CompanionA PRAIRIE HOME COMPANION

One of the many glories of Robert Altman is that he never pretends to know everything there is to know about the characters in his movies, and doesn't expect his audiences to, either. In an Altman film, you may think you have someone all figured out, until a later scene proves that you haven't begun to understand what makes them tick; Altman is fascinated with the dichotomy between characters' public and private faces. (It makes perfect sense that he eventually filmed a murder mystery.) It sometimes seems that there's not much going on in an Altman movie, and audiences could easily assume the same about the director's latest, A Prairie Home Companion. But if you're as enthralled with character as the director is, and with the drama of actors gradually revealing character, his ambling, "plotless" films can be sheer bliss.


Read More About "Companion" Piece: "A Prairie Home Companion," "Cars," And "The Omen"...


Under-the-Radar Offerings Don’t Offer Much: "After the Sunset," "Seed of Chucky," "The Corporation," "The Clearing," and "A Home at the End of the World"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2004-11-24 00:00:00

Before assessing the Hollywood output designed to fill us all with holiday cheer (Jerry Bruckheimer’s action extravaganza, Oliver Stone’s historical war epic, Tim Allen after a Botox injection ... y’know, that sort of thing), let’s take a brief look at a few titles flying a bit beneath the blockbuster radar.


Read More About Under-The-Radar Offerings Don’T Offer Much: "After The Sunset," "Seed Of Chucky," "The Corporation," "The Clearing," And "A Home At The End Of The World"...


Lee’s Latest Should Not Be Missed: "25th Hour," "A Man Apart," "Dysfunktional Family," and "Anger Management"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2003-04-16 00:00:00

Barry Pepper, Edward Norton, and Philip Seymour Hoffman in 25th Hour25TH HOUR

I wish my schedule had allowed me to catch Spike Lee’s 25th Hour sooner, as I would have happily spent the last two weeks extolling its merits to everyone I saw. (It ends its run at the Quad Cities Brew & View on April 17.) The film, wherein a convicted drug dealer (Edward Norton) spends his last free day in New York tying up loose ends among family and friends, is probably Lee’s most passionate, exemplary work since 1989’s Do the Right Thing. Though the movie showcases Lee’s trademark anger, profane humor, and uncommon vibrancy, what sets the film apart from his usual fare is its sadness; it has an aura of melancholy that keeps the director’s more bombastic impulses in check. (He even pulls off a beauty of a lullaby ending, one which, in lesser lands, could have been disastrous.)


Read More About Lee’S Latest Should Not Be Missed: "25th Hour," "A Man Apart," "Dysfunktional Family," And "Anger Management"...





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