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items tagged with Yasmina Reza

"Women & Children" First: "Men, Women & Children," "The Book of Life," "Meet the Mormons," "The Skeleton Twins," and "Venus in Fur"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2014-10-19 20:56:45

Rosemarie DeWitt and Adam Sandler in Men, Women & ChildrenMEN, WOMEN & CHILDREN

The single most definitive shot in director/co-writer Jason Reitman’s “Ee-e-eek! The Internet!” melodrama Men, Women & Children is one from the previews, in which Ansel Elgort trudges toward dozens of fellow high-schoolers, all of whom are so fixated on their phones that they can’t see anything, or anyone, directly in front of them.


Read More About "Women & Children" First: "Men, Women & Children," "The Book Of Life," "Meet The Mormons," "The Skeleton Twins," And "Venus In Fur"...


The (White) Elephant in the Room: "'Art,'" at the QC Theatre Workshop through August 30
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2014-08-18 12:00:00

Adam Michael Lewis, Aaron Randolph III, and Mike Schulz in 'Art'I love Yasmina Reza’s 'Art.' My infatuation with the playwright's script started four years ago when the piece was produced by the Curtainbox Theatre Company, and it brought me great delight to hear that the QC Theatre Workshop and director Tyson Danner planned to stage the play with the same cast that performed the material for the Curtainbox.


Read More About The (White) Elephant In The Room: "'Art,'" At The QC Theatre Workshop Through August 30...


Meryl Marky Mark Melees: "The Iron Lady," "Contraband," "Carnage," and "Joyful Noise"
Written By: Mike Schulz
Section: Movies

Category: Reviews

2012-01-15 21:20:23

Jim Broadbent and Meryl Streep in The Iron LadyTHE IRON LADY

It’s hardly a newsflash that over the past several years – well, forever, really – Meryl Streep has treated us to a run of extraordinary performances, and her Margaret Thatcher in the screen biography The Iron Lady is one of the most extraordinary of them all. Yet the vexing question regarding Streep’s indelible work of late isn’t “How does she keep doing it?” It’s “How does she keep doing it with so little help from her directors?”


Read More About Meryl Marky Mark Melees: "The Iron Lady," "Contraband," "Carnage," And "Joyful Noise"...


Playwright at Your Side: St. Ambrose Student Aaron Randolph III Authors Two Wintertime Productions
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2011-11-21 12:00:00

Cody E. Johnson, Stacy Phipps, and Tim Stompanato in Dakota Jones & the Search for AtlantisEvery year, St. Ambrose University’s theatre department produces four mainstage shows over the nine months that school is in session. It’s somewhat surprising, then, that given the myriad authors to choose from, the university opted to reserve half of the slots in its 2011-12 season for works by a single playwright.

Yet what’s more surprising is that the author in question isn’t one of the usual theatrical suspects – Shakespeare or Williams or O’Neill. Rather, it’s St. Ambrose student Aaron Randolph III, a 32-year-old pursuing additional degrees after graduating in 2002 from the school’s music department. His family musical Dakota Jones & the Search for Atlantis will be staged in the university’s Galvin Fine Arts Center December 3 and 4, and his comedy The Plagiarists runs February 24 through 26.


Read More About Playwright At Your Side: St. Ambrose Student Aaron Randolph III Authors Two Wintertime Productions...


The Parents Trapped: "God of Carnage," at the Village Theatre through October 16
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2011-10-10 12:00:00

(clockwise from left) Melissa Anderson Clark, Jonathan Grafft, Jason Platt, and Jackie Madunic in God of CarnageNew Ground Theatre’s God of Carnage is one of the funniest shows, if not the funniest, I’ve seen on a Quad Cities stage so far this year. Not only is the script by playwright Yasmina Reza sharp, surprising, and witty, but director Derek Bertelsen’s handling of the pacing and his cast’s character choices had me laughing embarrassingly loudly at Thursday’s performance. Even two days later, I find myself mentally inserting quotable dialogue from the play into conversations (though I’d rather not quote any of it here, as most of the best lines involve the “F” word).


Read More About The Parents Trapped: "God Of Carnage," At The Village Theatre Through October 16...





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