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items tagged with You Cant Take It with You

A Look Ahead to Area Theatre in 2007
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2006-12-20 08:28:30

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That Old Barn Magic: Moline’s Barn Theatre Presents Its First Musical in Nearly a Decade
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2006-05-10 08:36:35
Over the past 10 months, the stage space at the Playcrafters Barn Theatre in Moline has been transformed into a ballpark (for the venue’s production of Rounding Third), an Italian villa (for Enchanted April), and the entire town of Bedford Falls (for It’s a Wonderful Life).

But these days, after climbing the stairs to the second level of the Barn, the first thing you notice about the set for Sweet & Hot: The Songs of Harold Arlen (running through May 21) is something more unexpected than anything found on those previous sets: a piano.



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There’s No Business Like Reviewing-the-Shows Business
Written By: Mike Schulz
Section: Theatre

Category: Feature Stories

2005-12-14 00:00:00

How wonderful and humbling the last eight months have been.
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"It’s a Wonderful Life" at Playcrafters, but Not a Wonderful Script
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-11-09 00:00:00
Your enjoyment of the stage version of It’s a Wonderful Life – at least the James W. Rogers adaptation currently playing at the Playcrafters Barn Theatre – will likely depend on your familiarity with the classic film. I’m guessing that those who don’t already know the story will get more out of the experience than those who do, but how many of us, exactly, does that leave?
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Richmond Hill’s "You Can't Take It with You" Is All (Kaufman &) Hart
Written By: Mike Schulz
Section: Theatre

Category: Reviews

2005-06-08 00:00:00
Moss Hart & George S. Kaufman’s 1938 comedy You Can’t Take It with You is so sturdy and reliably entertaining that it doesn’t take much more than a mediocre version of it to make audiences happy. The current production at the Richmond Hill Barn Theatre is significantly better than mediocre – vibrantly played and almost consistently pleasurable – but what’s completely surprising is the cleverness and skill behind Vicki Deusinger’s staging of it.
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