Anthony Natarelli, Sarah Hayes, Janos Horvath, Nicholas Munson, Cydney Roelandt, Antoinette Holman, and Brad Hauskins in Jingle Arrgh the Way

It is, according to a seasonal song, the beginning of that “most wonderful time of the year.” And on the day after Thanksgiving, I, along with my seven-year-old grandson John, attended the opening of the Circa '21 Dinner Playhouse's holiday production in a traditional celebration of … pirates.

Miss Manners dictates that in social settings one should not bring up religion. But can I just say that when I was a shy child of six, seeing a Catholic nun in full habit scared the bejeezus out of me? Nuns were mysterious. You never saw them eat or drink or sweat. Never did I see a nun dance. And they were always worried about the soul. But the nuns in the Circa ’21 Dinner Playhouse’s musical comedy Sister Act know soul – as in soul music, sung with such energy that it had me clapping and swaying in my seat. And could those nuns dance! This joyful musical based on the 1992 film was a crowd-pleaser on opening night, and I predict the same for future performances.

Cody King, Antoinette Holman, Chris Galvan, Janos Horvath, Brad Hauskins, Deanna Collins, and Ben Klocke in How I Became a PirateHow long does it take for an area production to become legendary? In the case of the Circa '21 Dinner Playhouse's How I Became a Pirate, I'd say about one week, because after the show's debut staging in 2013, that's how long it took four adult patrons, individually, to tell me it was maybe the best family musical they'd ever seen.

Tristan Tapscott in High FidelityThursday's preview performance of the District Theatre's High Fidelity was, during its first act, a painful experience ... because by intermission, my facial muscles actually hurt from smiling so much. While this musical - composed by Tom Kitt and Amanda Green, with a book by David Lindsay-Abaire - is, in itself, a lot of fun, director James Fairchild and his cast rocked the hell out of it, presenting its story of a record-store owner's most recent breakup (in a long line of them) with infectious energy.

For me, the Circa '21 Dinner Playhouse's Bootleggers' show is a bi-annual delight. It's a treat to see the men and women who serve our salads, drinks, and desserts all year - and who perform for a few minutes prior to each production - get their own show. This is their chance to shine and, while Blame It On the Movies isn't quite as fun, overall, as past Bootlegger revues, its cast proves that they deserve more time in the spotlight.

Anoinette Holman and Susan Perrin-Sallak in DoubtThe District Theatre's Doubt may be the most exceptionally performed, strongly directed production I've yet seen in the Quad Cities. Saturday night's flawless performance left me in awe, particularly for the production's perfect casting, and for how well director James Fairchild highlights playwright John Patrick Shanley's humor.

Under no circumstances would I publicly suggest that you indulge in mind-altering substances before seeing the District Theatre's Hair. I would, however, recommend that you ask for a hit of whatever actor Chris Causer is high on - even if it's just the exhilaration of performing - because, clearly, its side effects include having, and giving, the time of your life.

Becca Meumann and Doug Johnson in barePassion counts for a lot in drama, and sincerity counts for a lot plus, and both qualities are in welcome abundance in the Center for Living Arts' presentation of the adolescent-angst musical bare. Another theatrical commitment kept me away during opening weekend, but if you haven't yet caught up with the show, I heartily recommend taking advantage of its three-weekend run; you could conceivably ask for a stronger production, but only a complete boor would dare ask for a more heartfelt one, or one that exuded more enthusiasm and feeling from its clearly, beautifully invested participants.

Sunshine Ramsey and Phillip Johnny Bob in Junie B. Jones & a Little Monkey BusinessI'm not sure where Barbara Park got the inspiration for her literary heroine Junie B. Jones, the adorable kindergarten heroine/hellion of the author's series of wildly popular children's books. But after seeing the Circa '21 Dinner Playhouse's presentation of Junie B. Jones & a Little Monkey Business, I have a pretty firm theory: Park swiped the characterization from kindergarten-era home movies taken of actress Sunshine Ramsey.