Christopher Tracy and John VanDeWoestyne in Lend Me a TenorSeveral minutes into the Playcrafters Barn Theatre's Lend Me a Tenor, I was concerned that I was in for two more hours of comedy that fell flat with forced funniness, rendering it unfunny, and jokes more worthy of groans than chuckles. But then John VanDeWoestyne's Tito, the titular tenor, and Diane Greenwood's Maria, Tito's wife, entered the stage, and brought with them the strong farcical performances that, until that point, were lacking in Saturday night's performance.

Stephen Baldridge, Paul Workman, and Diane Greenwood in Moon Over BuffaloAttending the theatre is typically a form of escapism, a chance to get lost in the magic of the staging and performances. And then there's Moon Over Buffalo, one of those shows that doesn't just let you escape into it, but lets you in on the antics of what's going on off stage. It's a show about actors and their messed up, dramatic lives.

About four months ago, my schedule forced me to catch the first dress rehearsal of Playcrafters' Over the River & through the Woods as opposed to a paid performance, and so I took some personal responsibility for my dissatisfaction with the show; a lot of what seemed to be lacking, I thought, could easily have improved by opening night. It seemed a little unfair to be critiquing a rehearsal. (What better place to err than rehearsal?)

Well, circumstances dictated that I again catch a Playcrafters production before its official opening - I saw the Barn Theatre's Sweet & Hot: The Songs of Harold Arlen at a preview on Monday, May 8 - for which I apologize. But I don't apologize much, because this revue already has the right spirit and a host of good feelings (and good performances) exuding from it. This didn't feel like a rehearsal; it felt like a performance, and a delightful one.

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