19 Oct 2014

"Women & Children" First: "Men, Women & Children," "The Book of Life," "Meet the Mormons," "The Skeleton Twins," and "Venus in Fur"

By Mike Schulz

MEN, WOMEN & CHILDREN

The single most definitive shot in director/co-writer Jason Reitman's "Ee-e-eek! The Internet!" melodrama Men, Women & Children is one from the previews, in which Ansel Elgort trudges toward dozens of fellow high-schoolers, all of whom are so fixated on their phones that they can't see anything, or anyone, directly in front of them.

12 Oct 2014

From Rad to Worst: "Alexander & the Terrible, Horrible, No Good, Very Bad Day," "Dracula Untold," "Addicted," and "The Judge"

By Mike Schulz

Friday, October 10, 10:05 a.m.-ish: My latest quartet of screenings starts with an adaptation of the beloved children's book Alexander & the Terrible, Horrible, No Good, Very Bad Day. It's a shame that the title has already eaten up about half my word count, because I now have far less space in which to rave about this surprisingly fantastic family comedy whose unforced cheerfulness is matched by its completely unexpected wit.

13 Apr 2014

Taking One for the Team: "Draft Day," "Oculus," "Rio 2," and "Mysteries of the Unseen World"

By Mike Schulz

DRAFT DAY

Draft Day casts Kevin Costner as the Cleveland Browns' general manager on the titular day in which his professional and personal crises reach their boiling points. And 20 minutes before its climax, director Ivan Reitman's pro-football saga lands on what is simultaneously its most ironic and most perverse moment, which finds a roomful of executives and analysts bickering about a potential trade, and Costner's Sonny Weaver Jr. ending the squabble with the incensed directive "Just give me a moment of silence so I can think!" The moment is ironic because, to this point, the movie has already been flooded with silence. The moment is also perverse because, after 90 minutes of pause-heavy introspection and hushed build-up - with the audience all but slavering for a scene of biting, fast-paced bickering - now is when Sonny demands some quiet?

24 Nov 2013

True Romance: "Enough Said," "Dallas Buyers Club," and "Delivery Man"

By Mike Schulz

ENOUGH SAID

It should go without saying that romantic comedies are generally more enjoyable if you enter them with already-fond feelings for their leads, which is why it was more fun to sit through, say, one of Tom Hanks' and Meg Ryan's 1990s outings than the ugly one that transpired, in 2009, between Katherine Heigl and Gerard Butler. But until writer/director Nicole Holefcener's Enough Said - which finally landed locally at Moline's Nova 6 Cinemas two months after its original nationwide release - I'm not sure I'd ever seen a rom-com with quite this much built-in goodwill before. Then again, no one until Holefcener had designed a rom-com for Julia Louis-Dreyfus and the late, great James Gandolfini before, either.

20 Aug 2012

Old Habits Die Hard: "The Expendables 2," "ParaNorman," and "The Odd Life of Timothy Green"

By Mike Schulz

THE EXPENDABLES 2

If home viewings of The Expendables 2 are one day turned into a drinking game, and I pray that they are, one of the rules has to be that you chug every time the film employs a thudding cliché from the '80s, either directly or indirectly. A plot involving stolen weapons-grade plutonium? Drink! A team of he-men astonished that a new female recruit can actually do something? Drink! Dolph Lundgren wrestling with a Rubik's Cube? Drink twice!

11 Apr 2011

Moore, or Less?: "Arthur," "Hanna," and "Born to Be Wild 3D"

By Mike Schulz

ARTHUR

There were better comedies released in the '80s, to be sure. But I don't think I have a stronger affection for any of them than I do for 1981's Arthur, writer/director Steve Gordon's screwball-farce throwback that featured Dudley Moore's drunken multi-millionaire sharing brilliantly barbed repartee with caretaker John Gielgud. Consequently, I came dangerously close to booing when I first saw the preview for director Jason Winer's Arthur remake. True, Russell Brand seemed the only logical choice to fill Moore's (diminutive) shoes, and while Gielgud is irreplaceable, Helen Mirren seemed a reasonable enough sparring partner. But, I mean, come on - is nothing sacred?!

20 Mar 2011

Brainy Acts: "Limitless," "The Lincoln Lawyer," and "Paul"

By Mike Schulz

LIMITLESS and THE LINCOLN LAWYER

At some point during my double-feature of Limitless and The Lincoln Lawyer, I was reminded, as I frequently am, that we filmgoers don't really need more great movies from Hollywood. We just need more good movies - smart, strong, satisfying releases that only want to entertain, but manage to do so without attempting to overwhelm you, or demanding that you first check your intelligence at the auditorium door.

15 Feb 2010

Sparks, and No Sparks: "Dear John," "Valentine's Day," and "The Wolfman"

By Mike Schulz

DEAR JOHN

Since no one's been pressing a gun to my head, I haven't read Nicholas Sparks' Dear John, which concerns a pair of star-crossed lovers whose romance is derailed by the young man's Army tenure. I have, however, seen director Lasse Hallström's screen version, which apparently follows the novel's blueprint faithfully (albeit with an altered ending), so permit me a question: Does Sparks have absolutely no shame?

04 Oct 2009

Blades of Glory: "Whip It" and "The Invention of Lying"

By Mike Schulz

WHIP IT

In case you hadn't heard, the coming-of-age comedy Whip It marks the directorial debut of Drew Barrymore, and it's an ideal project in a Baby's First Directing Gig way; the film is exactly the kind of earnest, peppy, relentlessly formulaic Hollywood outing in which a novice helmer can get her feet wet without causing too much damage. The surprise of the movie, though, is that it's so enjoyable, especially considering that so far as its storyline goes, nothing in it is the least bit surprising.

04 May 2009

Claws for Concern: "X-Men Origins: Wolverine," "Ghosts of Girlfriends Past," and "Fighting"

By Mike Schulz

Hugh Jackman in X-Men Origins: Wolverine

X-MEN ORIGINS: WOLVERINE

As someone who really and truly adores the X-Men movies - even the Brett Ratner one, which hardly anyone likes - I was prepared to accept any number of flaws and disappointments in X-Men Origins: Wolverine just for the chance to watch Hugh Jackman bear his adamantium claws and toss off a few pithy, sarcastic zingers. And for a while, Jackman's presence was enough.

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"Women & Children" First: "Men, Women & Children," "The Book of Life," "Meet the Mormons," "The Skeleton Twins," and "Venus in Fur"

From Rad to Worst: "Alexander & the Terrible, Horrible, No Good, Very Bad Day," "Dracula Untold," "Addicted," and "The Judge"

Taking One for the Team: "Draft Day," "Oculus," "Rio 2," and "Mysteries of the Unseen World"

True Romance: "Enough Said," "Dallas Buyers Club," and "Delivery Man"

Old Habits Die Hard: "The Expendables 2," "ParaNorman," and "The Odd Life of Timothy Green"

Moore, or Less?: "Arthur," "Hanna," and "Born to Be Wild 3D"

Brainy Acts: "Limitless," "The Lincoln Lawyer," and "Paul"

Sparks, and No Sparks: "Dear John," "Valentine's Day," and "The Wolfman"

Blades of Glory: "Whip It" and "The Invention of Lying"

Claws for Concern: "X-Men Origins: Wolverine," "Ghosts of Girlfriends Past," and "Fighting"

Subscribe & Listen to Reader Podcasts

On Stands Now

Tagged Content

Two Ways to Subscribe

1. Subscribe to free weekly e-mail content updates.

2. Get 12 monthly issues mailed first class for $48

Click this link to Subscribe now.