Joaquin Phoenix and Amy Adams in HerHER

Her, writer/director Spike Jonze's tale of a man who falls in love with his computerized operating system, and "she" with him, casts a weirdly hypnotic spell. Although billed as comedy (as least by the Hollywood Foreign Press Association), you don't really laugh much, and when you do, the laughter generally sticks in an odd, uncomfortable place in your throat; marveling at the unbridled sincerity of the thing, your chuckles are laced with a slight hint of mockery. Yet damned if Jonze, star Joaquin Phoenix, and the film's superb supporting cast and designers don't make this improbable project pay off in spades. Thoughtful, haunting, and perceptive, and at all times wickedly clever, Her is like a sci-fi Lost in Translation with a Scarlett Johansson you never get to see.

MegamindMEGAMIND

Since Universal Pictures' fizzy, funny animated hit Despicable Me was released a mere four months ago, it's hardly possible that DreamWorks' new Megamind could be considered an intentional ripoff, despite a plot that also finds an über-villain gradually morphing into an über-hero. And despite the film's haughty, antagonistic protagonist performing his evil deeds alongside a goofy, tag-along minion. And despite this blobby little homunculus being named Minion. (Seriously, are there no fresh ideas in Hollywood?)

Naomi Snieckus in Saw 3DSAW 3D

In the first 10 minutes of Saw 3D, a grim-faced cop enters an interrogation room and addresses his visitor with a curt "Let's get this over with." I couldn't agree more!

Jason Bateman and Jennifer Aniston in The SwitchTHE SWITCH

Since it's a romantic comedy starring Jennifer Aniston that actually doesn't suck, it's temping to overrate The Switch, which opens with Aniston's Kassie preparing to be artificially inseminated, and BFF Wally (Jason Bateman) - who secretly loves her - swapping her sperm donor's donation for one of his own.

Drew Barrymore, Ellen Page, and Kristen Wiig in Whip ItWHIP IT

In case you hadn't heard, the coming-of-age comedy Whip It marks the directorial debut of Drew Barrymore, and it's an ideal project in a Baby's First Directing Gig way; the film is exactly the kind of earnest, peppy, relentlessly formulaic Hollywood outing in which a novice helmer can get her feet wet without causing too much damage. The surprise of the movie, though, is that it's so enjoyable, especially considering that so far as its storyline goes, nothing in it is the least bit surprising.

Jason Biggs and Woody Allen in Anything ElseANYTHING ELSE

As a lifelong fan of Woody Allen's cinematic oeuvre, the last five years have been rather painful. Sure, Small Time Crooks was a lot of fun and Sean Penn delivered a truly inspired performance in Sweet & Lowdown, but The Curse of the Jade Scorpion, though intermittently amusing, felt pretty stale, and Celebrity and last year's Hollywood Ending were just plain awful. (Part of being a true fan includes admitting when your heroes fail, and feeling somewhat heartbroken when they do.)