Much of Friday's performance of the Prenzie Players' Antony & Cleopatra played almost like a romantic comedy. Director Kate Farence's staging of William Shakespeare's tragedy feels lighter and funnier than perhaps the material calls for, with the titular couple enjoying their post-Julius Caesar relationship - and ultimately dealing with Rome's political power plays and battles - amidst a den of hedonism, with hippie-esque attendants engaging in swinging orgies and drug use. Matt Moody's set design even has the lovers reclining on a tiered platform covered in colorful pillows and blankets, a seeming nod to the pair's interest in each other over the power of a throne. And the personality in Farence's production proves titillating - and should make the show more palatable for those who might not enjoy a stuffier version.
ANONYMOUS
THE IDES OF MARCHSubscribe & Listen to Reader Podcasts
On Stands Now
Tagged Content
Two Ways to Subscribe
1. Subscribe to free weekly e-mail content updates.
You'll get both the current official narrative challenge and What's Happenin' in the Quad Cities.
(Did you know we publish a new Amy Alkon Advice Goddess, Real Astrology, Red Meat cartoon and RCR Crossword every week?)
2. Get 12 monthly issues mailed first class for $48
Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!