Steven Sepson and Sean Lynch in Die FledermausMy enjoyment of Die Fledermaus, presented by Opera @ Augustana and Genesius Guild, started with the first notes heard by the orchestra playing Johann Strauss' operetta. The beauty of this ensemble's seemingly flawless performance caused my spirit to swell with delight, and added to the experience of sitting in Lincoln Park's outdoor theatre, watching the stars appear and listening to the sounds of nature. Due to the mixture of the open-air atmosphere and the richness of Strauss' splendidly well-performed composition, I was overwhelmed during Saturday's performance with a sense of art and culture - and all this before a single note was sung.

Jonathan Schrader (top) and the king's children in The King & ICountryside Community Theatre has plenty to be proud of with its current production of The King & I - the Rodgers & Hammerstein musical about a British schoolteacher who moves to Siam in 1862 to teach the king's many children - as Friday's performance hit all the right notes anyone might expect from this classic. There's enough familiarity in director David Turley's outing to remind audiences of the film or similarly staged productions, but also more-than-enough fresh takes on the characters to make this production Countryside's own. And underlying all this is a true cheeriness that extends from the cast to the audience. Despite the show's moments of anger and sadness, I was brimming with joy and full of smiles when I left the theatre.

 

Rochelle and Jonathan Schrader in The King & ILocal audiences have seen married actors Jonathan and Rochelle Schrader appearing opposite one another numerous times over the years: in Oper a@ Augustana's The Pirates of Penzance and The Mikado; in the former Green Room Theatre's Into the Woods; and in Quad City Music Guild's Babes in Toyland.

But with Countryside Community Theatre's presentation of The King & I, running June 22 through 30 at Eldridge's North Scott High School, patrons will see the Schraders interact in a way that, on-stage at least, they never have before.

"This is the first time we've actually gotten to play semi-romantically together," says Jonathan, who enacts the titular, short-tempered King of Siam - a role made legendary by Yul Brynner - opposite his wife's stalwart schoolteacher Anna. "I've played her father several times, and I tried to kill her in Babes in Toyland, but ... ."

Pat Flaherty and Jessica Denney in Mr. MarmaladeNew Ground Theatre's current offering, Mr. Marmalade, is about four-year-old Lucy and her imaginary friends. Suicidal, coke-snorting, physically and mentally abusive imaginary friends. And it's incredibly funny. One particularly dark scene during Thursday's performance, in fact, had me laughing so hard, for so long, that I was wiping away tears by the end of it.

Erika and Christopher Thomas in The Music ManQuad City Music Guild's new production of The Music Man - the Meredith Willson classic running August 5 through 14 - stars husband and wife Christopher and Erika Thomas as romantic leads Harold Hill and Marian Paroo. And just to be clear: Yes, the couple knows how close to nauseatingly adorable it is for them to be playing these roles opposite one another.

"I'm kind of calling this my nursing-home story," says Erika with a laugh. "Like when our grandchildren come to visit, it'll be, 'You know, your grandfather and I were in Music Man once ... !'"

"And they'll be, 'Uh oh ... here comes that Music Man story again ... !'" counters Christopher, also laughing.

Harold Truitt and Jennifer Sondgeroth in The King & IQuad City Music Guild's current presentation of The King & I is colorful and handsomely mounted, and in one scene, at least, it's even surprising, particularly if you don't peruse the program's cast list before the production starts. (Please skip the next two paragraphs if you don't want the surprise ruined here.)

"Cabaret" In the 11-week period between June 1 and August 12, I saw 28 area productions. And how did you spend your summer vacation?

Considering the overall great time I had last summer, though, I was hardly dreading this relentless schedule. I'd spent 10 whole months eagerly anticipating my return to the Clinton Area Showboat Theatre (CAST), Mt. Carroll's Timber Lake Playhouse, and - for Genesius Guild productions - Rock Island's Lincoln Park; the summer-theatre triad would be responsible for 17 of those 28 offerings. (Summer 2006 would also provide my introduction to Eldridge's Countryside Community Players, whose Cinderella I missed last year.)

"I think my forte is storytelling. I just like to pretend. And any experience that I have where I believe the actor or actors are as close to pretending as possible? That's what gets me off, man. To me, that's what acting's all about." -- Tom Walljasper