Ian McKellen and Milo Parker in Mr. HolmesFriday, July 24, 10:40 a.m.-ish: It's been so long since my last quadruple-feature - a miraculous six months plus! - that I'm only mildly dreading today's, and only then because I know it's ending with Adam Sandler. It's beginning, however, with Mr. Holmes, and while I can't imagine the world needing yet another showcase for Arthur Conan Doyle's literary sleuth, I'm psyched knowing this latest iteration will reunite director Bill Condon with his Gods & Monsters star Ian McKellen and Kinsey co-star Laura Linney. Most of the movie consists of McKellen's 93-year-old Sherlock, in 1947, contending with failing memory and the haunting case that forced his retirement, while Linney's Irish housekeeper Mrs. Munro cooks and tidies up. But while several mysteries arise and are duly resolved in the film, I am distracted throughout by two unresolved questions. (1) Who is this little kid Milo Parker who plays Sherock's protégé (and Mrs. Munro's son) Roger? And (2) How is this boy giving a performance that might be topping those of the excellent McKellen and Linney?

Christian Bale in Exodus: Gods & KingsEXODUS: GODS & KINGS

You can tell a lot about a movie by its trailers. I don't mean the trailers for the movie itself, although that's also, usually, the case. I'm talking about the ones that play before the main attraction - the previews for future releases that generally share a genre or overall flavor with whatever film you're paying to see, collectively acting as a sort of "Because you watched ______" recommendation list on Netflix.

Denzel Washington in FlightFLIGHT

Within the first 15 minutes of director Robert Zemeckis' Flight, you'll witness what must rank as one of cinema's most frightening, emotionally wrenching plane crashes. Yet in the end, and as harrowing as this passage is, I'm not sure that it's actually more terrifying or heartbreaking than the scenes of Denzel Washington's Whip Whitaker - the pilot whose heroic actions save 96 lives aboard that ill-fated flight - battling his urge to drink and, with only the mildest feelings of regret, losing that battle again and again and again.

Joseph Gordon-Levitt and Bruce Willis in LooperLOOPER

Rian Johnson's Looper, a time-travel thriller set primarily in the year 2044, casts Joseph Gordon-Levitt as a contract killer whose life is upended with the arrival of his latest target: his older self, who has been transported from the year 2074 and is played by Bruce Willis. This means that, with Gordon-Levitt delivering rather uncanny likenesses of his co-star's traditional scowls and smirks - and with the younger actor's countenance bizarrely altered to resemble the elder actor's familiar face - Willis essentially plays both leading roles ... which isn't the most enticing of setups if, like me, you generally find one Bruce Willis more than enough.

Jim Broadbent and Meryl Streep in The Iron LadyTHE IRON LADY

It's hardly a newsflash that over the past several years - well, forever, really - Meryl Streep has treated us to a run of extraordinary performances, and her Margaret Thatcher in the screen biography The Iron Lady is one of the most extraordinary of them all. Yet the vexing question regarding Streep's indelible work of late isn't "How does she keep doing it?" It's "How does she keep doing it with so little help from her directors?"

MegamindMEGAMIND

Since Universal Pictures' fizzy, funny animated hit Despicable Me was released a mere four months ago, it's hardly possible that DreamWorks' new Megamind could be considered an intentional ripoff, despite a plot that also finds an über-villain gradually morphing into an über-hero. And despite the film's haughty, antagonistic protagonist performing his evil deeds alongside a goofy, tag-along minion. And despite this blobby little homunculus being named Minion. (Seriously, are there no fresh ideas in Hollywood?)

We'll get to Spielberg, Ford, and all manner of chases, escapes, and effects soon enough, but allow me to ask: Has any performer ever seemed as irrepressibly, irresistibly happy on-screen as Karen Allen in Indiana Jones & the Kingdom of the Crystal Skull?

In discussing this year's Oscar races in the picture, director, and the acting categories, we may as well begin with the nominee area audiences had the least chance of catching, as it was the only major contender yet to get an area release: Duncan Tucker's Transamerica.