Ian McKellen and Milo Parker in Mr. HolmesFriday, July 24, 10:40 a.m.-ish: It's been so long since my last quadruple-feature - a miraculous six months plus! - that I'm only mildly dreading today's, and only then because I know it's ending with Adam Sandler. It's beginning, however, with Mr. Holmes, and while I can't imagine the world needing yet another showcase for Arthur Conan Doyle's literary sleuth, I'm psyched knowing this latest iteration will reunite director Bill Condon with his Gods & Monsters star Ian McKellen and Kinsey co-star Laura Linney. Most of the movie consists of McKellen's 93-year-old Sherlock, in 1947, contending with failing memory and the haunting case that forced his retirement, while Linney's Irish housekeeper Mrs. Munro cooks and tidies up. But while several mysteries arise and are duly resolved in the film, I am distracted throughout by two unresolved questions. (1) Who is this little kid Milo Parker who plays Sherock's protégé (and Mrs. Munro's son) Roger? And (2) How is this boy giving a performance that might be topping those of the excellent McKellen and Linney?

Ben Stiller in The Secret Life of Walter MittyTHE SECRET LIFE OF WALTER MITTY, MANDELA: LONG WALK TO FREEDOM, and GRUDGE MATCH

With apologies to Keanu Reeves fans and the true Beliebers among you, I still haven't gotten around to 47 Ronin or Justin Bieber's Believe. (In the case of the latter, I'm not sure I ever will, although stranger things have happened, I guess ... .) But among the numerous titles that opened opposite The Wolf of Wall Street on Christmas Day, I did manage to catch a few of 'em ... .

Daniel Craig in SkyfallSKYFALL

Longtime fans of the franchise can, and likely will, argue over whether Skyfall is one of the all-time best James Bond films or whether it just feels that way because it's now been six years since the last decent one. (Despite having friends who'll stump for everything from Moonraker to The World Is Not Enough, I don't know anyone who really cares for 2008's Quantum of Solace.) But here's a question that I'm not sure merits any argument: Prior to this latest adventure, has any other Bond movie looked quite so spectacular?