Cameron Diaz, Kate Upton, and Leslie Mann in The Other WomanTHE OTHER WOMAN

Unduly high expectations, as we all know, can sometimes ruin your movie-going experience. Unduly low expectations, on the other hand, generally yield nothing but benefits, and so I'd like to thank film-critic consensus for making me so fearful of Nick Cassavetes' The Other Woman. This revenge comedy may be indefensibly weak, but the unbridled and unwarranted zeal with which so many people are attacking it - The Dispatch/Rock Island Argus used Richard Roeper's description "excruciatingly awful" as the review's headline - makes me feel that some defense might be necessary.

Nikolaj Coster-Waldau, Jessica Chastain, Isabelle Nélisse, and Megan Charpentier in MamaMAMA

A new film titled Mama opened this past weekend, and it stars Jessica Chastain. Given the current Oscar nominee's cinematic omnipresence over the past two years, you may be inclined to say, "Well, of course it does." But I'm leading with that information because in addition to being almost insanely prolific, Chastain (whose recent résumé also boasts The Tree of Life, The Help, Take Shelter, and, of course, Zero Dark Thirty) is about as reliable an indicator of quality as this decade's movies have provided. And against considerable odds, not the least being its unpromising January release date, director Andrés Muschietti's outing is a supernatural fright flick of considerable quality - gripping and nerve-racking and sensationally well-made, and yet another showcase for Chastain's stirring soulfulness and remarkable versatility.