Paul Dano in Love & MercyLOVE & MERCY

Receiving a wide national release on the same weekend as Inside Out's debut, director Bill Pohlad's Love & Mercy is also an exploration of the brain - specifically, the brain of Beach Boys wunderkind Brian Wilson, alternately portrayed by Paul Dano (during the film's Pet Sounds-era 1960s sequences) and John Cusack (during Wilson's heavily-, and incorrectly-, medicated period in the late 1980s). And rather astonishingly for a work of its type, it boasts numerous scenes in which it really, truly feels like we're allowed to roam around in a legendary musician's head, feeling what he feels and, even more importantly, hearing what he hears.

Michael Fassbender, Lupita Nyong'o, and Chiwetel Ejiofor in 12 Years a Slave12 YEARS A SLAVE

It's impossible to imagine any viewer of director Steve McQueen's 12 Years a Slave not haunted for hours, if not days or weeks, by its potent, frequently horrific imagery. Be it the protracted sight of protagonist Solomon Northrup hanging from a tree, his wiggling toes barely touching the dirt, or the early shot of Northrup caged in a Washington, D.C., prison with the camera slowly tilting upward to implicate Capitol Hill in his (and all slaves') ordeal, McQueen continually delivers wrenching visual representations to match this already-wrenching tale. Yet if pressed for the one image that I find lingering above all others in this magnificent, devastating film, it would simply be the face of Chiwetel Ejiofor, who, in one unbroken take near the finale, almost seems to encapsulate hundreds of years of injustice in one anguished stare.

Jake Gyllenhaal in PrisonersPRISONERS

Prisoners, which features Jake Gyllenhaal as a feverishly driven detective, is the most exciting and emotional cop thriller we've been treated to since last fall's End of Watch, which Gyllenhaal also starred in. Beyond that, director Denis Villeneuve's effort is probably the most suspenseful, evocative, and disturbing procedural thriller since David Fincher's 2007 Zodiac ... which also boasted Gyllenhaal in a leading role. I'm generally skeptical about the effectiveness of good-luck charms, but if the actor cared to accompany me the next time I buy a lottery ticket, you wouldn't hear me complain.

Joseph Gordon-Levitt and Bruce Willis in LooperLOOPER

Rian Johnson's Looper, a time-travel thriller set primarily in the year 2044, casts Joseph Gordon-Levitt as a contract killer whose life is upended with the arrival of his latest target: his older self, who has been transported from the year 2074 and is played by Bruce Willis. This means that, with Gordon-Levitt delivering rather uncanny likenesses of his co-star's traditional scowls and smirks - and with the younger actor's countenance bizarrely altered to resemble the elder actor's familiar face - Willis essentially plays both leading roles ... which isn't the most enticing of setups if, like me, you generally find one Bruce Willis more than enough.

Milla Jovovich in Resident Evil: RetributionRESIDENT EVIL: RETRIBUTION

If you were at a Friday-afternoon screening of Resident Evil: Retribution and heard, some 30 seconds before the end credits, an audible groan of frustration and annoyance, I apologize if my unplanned outburst was distracting. I just couldn't believe that this mindless, endless series was going to require yet another freakin' sequel.

Harrison Ford and Daniel Craig in Cowboys & AliensCOWBOYS & ALIENS

A full six writers are credited with the script and screen story for director Jon Favreau's sci-fi/Western hybrid Cowboys & Aliens, which, based on the evidence, averages out to them contributing roughly half a fresh idea apiece. And I'm including the inspiration to call its saloon-keeper, rather than its doctor, "Doc."

Rob Schneider, Chris Rock, Kevin James, Adam Sandler, and David Spade in Grown UpsGROWN UPS

In basic outline, director Dennis Dugan's Grown Ups is similar to last autumn's Couples Retreat, that witless, odious comedy in which a gaggle of Hollywood stars enjoyed a luxury weekend on a tropical isle and demanded that audiences pick up the tab. (More than $100-million worth of ticket buyers actually did. Staggering.) Beyond their locales, though, the main difference between them is that Couples Retreat starred Vince Vaughn, Jason Bateman, Jon Favreau, Faizon Love, and Malin Akerman, while Dugan's film top-bills Adam Sandler, Kevin James, Chris Rock, David Spade, and the entertainment vacuum known as Rob Schneider. Was this Happy Madison production - written by Sandler and Fred Wolf - going to pull off the borderline-miraculous feat of being the lesser of the two movies?

Carol (voiced by James Gandolfini) and Max Records in Where the Wild Things AreWHERE THE WILD THINGS ARE

Where to begin in describing all the things that could've gone wrong with director Spike Jonze's live-action take on Where the Wild Things Are? And where to begin in describing all the things that have gone magically, even miraculously, right with it?

Haley Webb and Nick Zano in The Final DestinationTHE FINAL DESTINATION and HALLOWEEN II

In a somewhat odd scheduling decision, this past weekend saw the release of both The Final Destination - the fourth in the popular series of cheat-death-and-pay-the-price splatter flicks, presented (on some screens) in eyeball-gouging 3D - and Halloween II, writer/director Rob Zombie's sequel to his 2007 remake of John Carpenter's horror classic. But for fellow genre fans wondering which of the two makes for a more gratifying fright film, I'm afraid it's a draw; the former is kind of fun but mostly terrible, while the latter is kind of fascinating but almost no fun at all.