01 Mar 2015

Now You See It, Now You Want to See It Again: "Focus," "The Lazarus Effect," and "Deepsea Challenge 3D"

By Mike Schulz

Will Smith and Margot Robbie in FocusFOCUS

With Will Smith playing its polished and professional master of larceny, and Margot Robbie playing the fledgling grifter who becomes Smith's mentee and lover, Focus is so contrived, so ridiculous, and so phenomenally entertaining that while watching it, you'd almost think a new genre was being invented right before your eyes.

01 Feb 2015

Qualms Before the Storm: "A Most Violent Year," "Journey to Space 3D," "Black or White," "The Loft," and "Project Almanac"

By Mike Schulz

Jessica Chastain and Oscar Isaac in A Most Violent YearLike a squirrel gathering nuts before winter, I made a conscious effort to catch all five of this past weekend's debuting releases before our area was hit by the blizzard from Hell. (An oxymoronic expression, but whatever.) And because, with the exception of the museum's feature, even the really good one will likely be gone before the snowy onslaught begins to melt, let's take care of 'em quickly. In descending order of preference ... .

02 Nov 2014

Kill to Shoot: "Nightcrawler," "Before I Go to Sleep," "The Best of Me," "Galapagos 3D: Nature's Wonderland," and "The Galapagos Affair: Satan Came to Eden"

By Mike Schulz

Jake Gyllenhaal in NightcrawlerNIGHTCRAWLER

Writer/director Dan Gilroy's Nightcrawler is the tale of an obsessive creep who becomes a dedicated entrepreneur in the field of exploitation journalism, and it stars Jake Gyllenhaal. Hoo boy does it star Jake Gyllenhaal. Two days after seeing the film, I'm still not sure what it was aiming to be: a scuzzy urban thriller? A dark comedy? A withering social critique in the vein of Network? All of the above? But what it winds up being is nearly two full hours of The Jake Gyllenhaal Show, a movie that would barely exist if not for the feral, ferociously busy performance of its lead. In this particular case, not existing wouldn't have been the worst thing in the world.

26 Jul 2014

And a Little Cub Will Lead Them - Notes on Yet Another Quadruple Feature: "Pandas: The Journey Home," "Hercules," "And So It Goes," and "Lucy"

By Mike Schulz

Pandas: The Journey HomeFriday, July 25, 12:30 p.m.-ish: I take my seat for the latest big-screen edu-tainment at the Putnam Museum, and can't imagine a better way to begin my third quadruple feature of the month. For one thing, the movie I'm at is only 40 minutes long, which will shorten my work day considerably. For another, the movie is all about pandas. Pandas! Who doesn't love pandas? I figure that, at worst, the National Geographic presentation Pandas: The Journey Home will be adorable. So I'll admit to some more-than-mild surprise when, not 10 minutes into the film, we're treated to the (tasteful) sight of a female panda being artificially inseminated, right after witnessing the (tasteful) sight of a male panda mating with her. Hmmm, I think. Didn't see that in Disney's Bears.

13 Apr 2014

Taking One for the Team: "Draft Day," "Oculus," "Rio 2," and "Mysteries of the Unseen World"

By Mike Schulz

Kevin Costner and Jennifer Garner in Draft DayDRAFT DAY

Draft Day casts Kevin Costner as the Cleveland Browns' general manager on the titular day in which his professional and personal crises reach their boiling points. And 20 minutes before its climax, director Ivan Reitman's pro-football saga lands on what is simultaneously its most ironic and most perverse moment, which finds a roomful of executives and analysts bickering about a potential trade, and Costner's Sonny Weaver Jr. ending the squabble with the incensed directive "Just give me a moment of silence so I can think!" The moment is ironic because, to this point, the movie has already been flooded with silence. The moment is also perverse because, after 90 minutes of pause-heavy introspection and hushed build-up - with the audience all but slavering for a scene of biting, fast-paced bickering - now is when Sonny demands some quiet?

25 Mar 2014

Four Stories and Seven Hours or So - Notes on a Quadruple Feature: "Divergent," "Muppets Most Wanted," "The Earth Wins," and "God's Not Dead"

By Mike Schulz

Theo James and Shailene Woodley in DivergentMarch 24, 10:30 a.m.-ish: After several days spent visiting friends in Ohio - among them, now, my hosts' adorable 17-month-old daughter - I return to my movie-reviewing duties filled with fresh perspective and hope for the future. Then I see Divergent, which earned $54.6 million over the weekend, and is already green-lit for two follow-up films. Well, the feeling was fun while it lasted.

09 Mar 2014

Get Her to the Greeks: "300: Rise of an Empire," "Mr. Peabody & Sherman," and "Titans of the Ice Age 3D"

By Mike Schulz

Eva Green in 300: Rise of an Empire300: RISE OF AN EMPIRE

No movie that opens with Gerard Butler being beheaded, even off-screen, can be all that bad, and so maybe I shouldn't be surprised by the not-so-bad-ness of director Noam Murro's 300: Rise of an Empire. I still am, considering how little fun I had at Zack Snyder's smash-hit predecessor from 2007, yet personally speaking, it's not hard to identify what makes this CGI-heavy bloodbath an overall better time - a much better time - than 300. But we'll get to her momentarily.

10 Nov 2013

Loki Here: "Thor: The Dark World," "Jerusalem," and "About Time"

By Mike Schulz

Tom Hiddleston and Chris Hemsworth in Thor: The Dark WorldTHOR: THE DARK WORLD

As the comic-book demigod Loki, the nefarious thorn-in-the-side to the Avengers and adopted brother to Thor, Tom Hiddleston, in the Marvel Studios movies, exudes a teasing, seductive malevolence. With his sharp, angular features and chilling gaze that suggests he might prefer eating you to killing you, he's a wonderfully unstable and hypnotic screen creation. Yet the brilliance in Hiddleston's interpretation is that his Loki is also so damned charming. The character may forever be planning destruction or plotting revenge - specifically against the golden-haired preferred son with the red cape and hammer - but Hiddleston's bearing is so smooth and relaxed, and his wide grin so infectious, that you almost can't help rooting for him, especially because he also, generally, gets his movies' best jokes.

05 May 2013

Heavy Metal: "Iron Man 3" and "Space Junk 3D"

By Mike Schulz

Robert Downey Jr. in Iron Man 3IRON MAN 3

Iron Man 3 begins with narration by Tony Stark, the superheroic multi-billionaire voiced and eventually embodied, as always, by Robert Downey Jr. His tone is steady and somber as he makes ominous pronouncements about the uncertain state of the world and how we each create our own demons and such, but before long, Stark's more expectedly breezy, wise-ass nature takes over - he stumbles over his words and realizes his blathering isn't really going anywhere, and quickly puts a kibosh on the opening address. The whole routine is reminiscent of Woody Allen's hilariously neurotic "Chapter one ... " intro at the start of Manhattan, and immediately suggests that this second sequel to 2008's effects-laden blockbuster will be both deathly serious and happily insouciant. And it is. I'm just not completely convinced, in the case of Iron Man 3, that that's a good thing.

21 Mar 2013

Pivot and Progress: The Putnam Museum Looks to Remake Itself with a STEM Learning Center

By Jeff Ignatius

This past weekend, we brought our daughter to Davenport's Putnam Museum and did the full tour. We saw Flight of the Butterflies 3D on the Giant Screen, walked through the new Bodies Revealed show, and saw all the cultural-, regional-, and natural-history displays that visitors have known for decades, from the mummies to the Asian artifacts to Bix's cornet.

But what kept Emily's attention was the Spark Learning Lab, a modest career-themed room with the goal of preventing high-school drop-outs.

Our daughter is five and in no danger yet of dropping out of any school - or pursuing any career beyond princess-ing. And the Spark Learning Lab is geared toward fifth- and sixth-graders. But she loved the lab's drawing program with the dual touch screens (one on the computer and one where the picture was being projected), the construction-plank set (which she's playing with on this issue's cover), and the feature that allows visitors to build tube structures and - with the help of a blower - either launch table-tennis balls or keep them aloft.

One station in the room lets visitors connect batteries to simple electrical devices, and another shows how structures they build with Lincoln Logs or those aforementioned planks might fare in an earthquake. The "concentration station" fosters communications skills, as one person describes a block structure and a partner tries to build its twin using verbal instructions alone.

If you want to see where the Putnam is headed, you can look at the conceptual drawings - posted in several locations - of its planned STEM learning center. The $1.5-million project is currently in the fundraising phase, and the museum expects to open it in June 2014. Putnam President and CEO Kim Findlay said adding the STEM center to the Putnam now is "the right time and the right thing for the community and the museum."

But you'll get a hands-on sense of the Putnam's direction in the Spark Learning Lab. Larger-scale hints are available in the interactive components of the current Destination: Space exhibit, with its compressed-air tennis-ball launcher, and a bicycle wheel and rotating platform demonstrating angular momentum.

Implicitly and explicitly, all of these draw a line from playful exploration to science to careers, and that's what the STEM center will do on a much grander level. It's an attempt to transform the nearly-century-and-a-half-old Putnam from "nice to necessary," to use a phrase that's common in the museum field these days.

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