Ready the Destroyer

The first thing to notice about the music of Chicago's Ready the Destroyer is that singer Neill Miller's guitar has a lot to say. Some guitarists are technically proficient, but the really good ones are able to give their instruments a voice. Miller's sings.

The unsigned Chicago trio -- which will be playing at the River Music Experience's performance hall on Friday and Mixtapes on April 3 -- plays punk-ish music with a strong sense of melody on both guitar and bass, not unlike the Alkaline Trio and Interpol, and clearly influenced by Hüsker Dü. It's a lean, rigorous, muscular sound in which the guitar, bass, and voice are all fighting to be the lead instrument - a busy din but without discord.

Reader issue #710 Ask Polyrhythms' Nate Lawrence about the highlights of more than two years presenting the Third Sunday jazz series at the River Music Experience, and his response tells you a great deal about his goals.

"Lenora Helm put together a choir real quick, out of the kids, and they're doing 'Ain't Misbehavin','" he recalled last week. "Ray Blue, he had a six-piece with percussionists and whatnot, and as soon as the workshop was over, the kids just bum-rushed the stage. They sat at the piano. Some of the kids just grabbed the mic and started singing. Some kids went to the congas and started playing. The drummer got up, the kids sat down. It's hands-on. Those are the high points."

Lois Deloatch - Hymn to FreedomWhen Lois Deloatch recorded what became Hymn to Freedom in late 2006, she intended it as a tribute to pianist Oscar Peterson, a living legend.

But one of the perils of being an independent artist is that albums done right require patience. "I'm a totally independent artist," the North Carolina-based Deloatch said earlier this week, in advance of her November 16 performance and workshop at the Redstone Room. "When you're literally doing every piece of it yourself, it takes a little bit of time."