Friday, July 25, 12:30 p.m.-ish: I take my seat for the latest big-screen edu-tainment at the Putnam Museum, and can't imagine a better way to begin my third quadruple feature of the month. For one thing, the movie I'm at is only 40 minutes long, which will shorten my work day considerably. For another, the movie is all about pandas. Pandas! Who doesn't love pandas? I figure that, at worst, the National Geographic presentation Pandas: The Journey Home will be adorable. So I'll admit to some more-than-mild surprise when, not 10 minutes into the film, we're treated to the (tasteful) sight of a female panda being artificially inseminated, right after witnessing the (tasteful) sight of a male panda mating with her. Hmmm, I think. Didn't see that in Disney's Bears.

JERSEY BOYS

Jersey Boys, Clint Eastwood's film version of 2005's still-running Broadway smash, is a big, bizarre, cornball, clever, terrible, wonderful movie. It's hard to fathom what, beyond its inherent appeal, made Eastwood want to take on the project; this bio-musical about 1960s pop sensations the Four Seasons seems so clearly designed for Scorsese that's it's almost some kind of joke that it instead wound up in the hands of a man who, stylistically and temperamentally, is Scorsese's polar opposite. Yet somehow, astonishingly, the damned thing works. Its parts may be stronger than the whole - at least if you're allowed to cherry-pick the parts - but the film is affecting and entertaining and alive, and exudes more sheer joy than any other title on Eastwood's 43-year directing résumé.

ALL IS LOST

Continuing to earn cool points following their November booking of Enough Said - a marvelous movie that finally landed in our area several months after its initial national release - schedulers for Moline's Nova 6 Cinemas have done it again with the booking of All Is Lost, another critically acclaimed title that managed to bypass the Quad Cities' first-run cineplexes.

THOR: THE DARK WORLD

As the comic-book demigod Loki, the nefarious thorn-in-the-side to the Avengers and adopted brother to Thor, Tom Hiddleston, in the Marvel Studios movies, exudes a teasing, seductive malevolence. With his sharp, angular features and chilling gaze that suggests he might prefer eating you to killing you, he's a wonderfully unstable and hypnotic screen creation. Yet the brilliance in Hiddleston's interpretation is that his Loki is also so damned charming. The character may forever be planning destruction or plotting revenge - specifically against the golden-haired preferred son with the red cape and hammer - but Hiddleston's bearing is so smooth and relaxed, and his wide grin so infectious, that you almost can't help rooting for him, especially because he also, generally, gets his movies' best jokes.