03 Dec 2008

Homecoming Dance: "Four Christmases," "Australia," and "The Boy in the Striped Pajamas"

By Mike Schulz

Reese Witherspoon and Vince Vaughn in Four ChristmasesFOUR CHRISTMASES

In the spirit of those magical pre-Thanksgiving treats Fred Claus, Deck the Halls, and Christmas with the Kranks, director Seth Gordon's Four Christmases is Hollywood's annual, star-filled affair that celebrates the joys of the holidays through wisecracks, gaudy colors, pummeling "comic" violence, and occasional projectile vomiting. It differs from its predecessors, though, in one notable regard: It doesn't suck. At least not completely.

10 Sep 2008

The Hitman with the Heart of Gold: "Bangkok Dangerous," "Babylon A.D.," and "Disaster Movie"

By Mike Schulz

Nicolas Cage and Shahkrit Yamnarm in Bangkok DangerousBANGKOK DANGEROUS

There are a handful of motion-picture elements that are all but guaranteed to make my eyelids droop, including (a) mopey, droning voice-over narration by a film's tough-guy protagonist, (b) a color palette composed almost entirely of steely grays and blues, the traditional template for the "serious" action thriller, and (c) Nicolas Cage. Consequently, I hit the narcoleptic's jackpot with Bangkok Dangerous, a determinedly, even absurdly solemn outing by directing brothers Danny and Oxide Pang. The film is a remake of the siblings' 1999 Thai-language release of the same name, but not having seen it, I can't imagine that the Pangs' original endeavor could be more glum and exhausting than this revamp; I'm pretty certain it was only my constant head-shaking, at the continued waste that has become Cage's career, that kept me awake.

23 Oct 2007

Oct.-tet: "The Assassination of Jesse James by the Coward Robert Ford," "Gone Baby Gone," "Rendition," "The Comebacks," "Tyler Perry's Why Did I Get Married?", "Things We Lost in the Fire," "We Own the Night," and "Elizabeth: The Golden Age"

By Mike Schulz

Brad Pitt in The Assassination of Jesse James by the Coward Robert FordIn order of recommendation:

 

22 Nov 2005

A Summer Sleeper Trumps a Trio of New Releases: "Happy Endings," "Walk the Line," "Harry Potter & the Goblet of Fire," and "Kiss Kiss Bang Bang"

By Mike Schulz

Lisa Kudrow and Bobby Cannavale in Happy EndingsHAPPY ENDINGS

This summer, I was fortunate enough to catch a special screening of writer/director Don Roos' Happy Endings at the University of Iowa, but decided to hold off on a review until the film made it to our area.

27 Sep 2005

Foster Soars, but "Flightplan" Is Earthbound: Also, "Tim Burton's Corpse Bride" and "Just Like Heaven"

By Mike Schulz

Jodie Foster in FlightplanFLIGHTPLAN

Movies such as Flightplan are hell to review. How do I explain, exactly, why the film doesn't work without giving away the plot secrets that prevent it from working? Like last fall's already-forgotten The Forgotten, director Robert Schwentke's airborne thriller involves a missing child. During a trans-Atlantic flight from Berlin to America, Jodie Foster's newly widowed Kyle lays her six-year-old daughter Julia (Marlene Lawston) down for a nap, falls asleep herself, and wakes to find the girl missing. Obviously, escape from the plane is impossible, but Julia is nowhere to be found, and, more disturbingly, no one on the flight seems to remember her being aboard. Could Julia have merely been a figment of Kyle's imbalanced imagination?

14 Sep 2004

Newcomer Creates a Beautiful "Garden State": Also, "Vanity Fair" and "Wicker Park"

By Mike Schulz

Zach Braff in Garden StateGARDEN STATE

Zach Braff's indie comedy Garden State is something rare: a homecoming tale told with a clear eye and, more often than not, a refreshing lack of sentimentality.

10 Dec 2002

Best Bets This Week Are in the Video Store: Also "Analyze That" and "Empire"

By Mike Schulz

Billy Crystal and Robert De Niro in Analyze ThatANALYZE THAT and EMPIRE

It's enough to make a grown movie-critic weep: You rave about Solaris, a science-fiction work that's psychologically rich, challenging, and incredibly unusual, and you read in the paper that the audience-tracking firm Cinemascore has ranked it the most universally loathed major release in 20 years. You check out the top-10 list from the National Board of Review, the first organization to hand out year-end kudos, and realize that only one of those 10 films has (as yet) made it to the Quad Cities, and that one only stayed for a week at Moline's Nova 6 Cinemas. And you eagerly look forward to a December weekend of new releases - surely some of those terrific-looking titles will finally appear? - and your only options are Analyze That and Empire.

01 Oct 2002

Witherspoon and Cast Are the Highlights in a Not-So-Sweet "Alabama": "Sweet Home Alabama," "The Tuxedo," and "Stolen Summer"

By Mike Schulz

Reese Witherspoon, Patrick Dempsey, and Candice Bergen in Sweet Home AlabamaSWEET HOME ALABAMA

Just how much goodwill are audiences willing to extend to Reese Witherspoon? Quite a lot, actually, if their response to Sweet Home Alabama is any indication.

26 Mar 2002

Thornton and Berry Bring Magic to the "Ball": "Monster's Ball" and 2002 Oscars Postmortem

By Mike Schulz

Billy Bob Thornton, Peter Boyle, and Heath Ledger in Monster's BallMONSTER'S BALL

In Marc Forster's sterling drama Monster's Ball, Halle Berry portrays Leticia Musgrove, the wife of a convicted murderer (Sean Combs), who takes the graveyard shift of an all-night Georgia café to support herself and her pre-teen son (Coronji Calhoun). One of her repeat customers is corrections officer Hank Grotowski (Billy Bob Thornton), son of an unrepentant racist (Peter Boyle) and father of a damaged, depressed son (Heath Ledger). Through a series of tragedies, Leticia and Hank find spiritual and sexual solace in each other's company, and Monster's Ball asks the question that, sadly enough, must still be asked in modern-day America: Can black and white find a middle ground and truly exist in harmony?

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