10 Dec 2008

Record Players: "Cadillac Records," "Punisher: War Zone," and "Transporter 3"

By Mike Schulz

Jeffrey Wright in Cadillac RecordsCADILLAC RECORDS

At roughly 105 minutes, writer/director Darnell Martin's Cadillac Records is so jam-packed with character, story, incident, and musical interludes that it sometimes feels as though six or seven movies are being projected on the screen simultaneously. This is not meant as an insult. Films that overreach oftentimes give audiences too much of a fine thing, yet Cadillac Records is just enough of a really fine thing - a soulful, impassioned, beautifully enacted drama that delivers all the pleasures of the musical-bio-pic genre without the obviousness and sanctimony.

27 Aug 2008

Wii!!!: "Death Race," "The House Bunny," "The Rocker," and "Fly Me to the Moon"

By Mike Schulz

Jason Statham in Death RaceDEATH RACE

Inspired by the 1975 thriller Death Race 2000, writer/director Paul W.S. Anderson's Death Race isn't much of a movie. But you don't go to it expecting a movie; you go expecting a bone-crunching, brain-splattering, ass-kicking cinematic video game, and that's exactly what you get.

18 Jun 2008

Jollier Green Giant: "The Incredible Hulk" and "The Happening"

By Mike Schulz

The Incredible HulkTHE INCREDIBLE HULK

Up until its final reel, when the movie lapses into a tiresome big-screen adaptation of Rock 'Em Sock 'Em Robots, The Incredible Hulk is a pretty entertaining superhero blockbuster, in large part because it doesn't much feel like a typical superhero blockbuster.

12 Sep 2006

Shooting Stars: "Hollywoodland," "A Scanner Darkly," "Invincible," "The Illusionist," "Crank," and "The Wicker Man"

By Mike Schulz

Ben Affleck and Diane Lane in HollywoodlandHOLLYWOODLAND

Against all expectation, the most touching performance in current releases is probably Ben Affleck's turn as George Reeves in the Tinseltown drama Hollywoodland. Director Allen Coulter's work centers around the mysterious shooting death of the famed Superman star of '50s television, and Affleck is just about perfect here. Seen in flashbacks, he plays Reeves' heartrending rise and fall with the abashed sweetness of a man who knows his good looks and moderate talent will only carry him so far, and Affleck's strong, subtle turn is effortlessly moving. And as trophy wife Tony Mannix, Diane Lane nearly matches him, suggesting entire generations of women carelessly tossed away by Hollywood's obsession with youth and beauty; Hollywoodland's tragedy is hers as much as Reeves', and the emotionally naked Lane turns in a fierce, brave portrayal.

03 Jun 2003

"Finding Nemo" Close to Miraculous: Also, "The Italian Job" and "Lost in La Mancha"

By Mike Schulz

Finding NemoFINDING NEMO

Fish, by nature, aren't the most expressive of species, but try telling that to the loopy geniuses at Pixar. In the studio's latest computer-animated adventure, Finding Nemo, director Andrew Stanton, his wizardly animators, and the vocal talent contribute such breathtaking life and range of emotion to sea dwellers that you leave the movie dizzy with happiness.

23 Jan 2001

It Ain't Good for You, but It Ain't Bad: "Snatch," "Chocolat," and "Save the Last Dance"

By Mike Schulz

Jason Statham, Brad Pitt, and Alan Ford in SnatchSNATCH

First, the bad news: Guy Ritchie's latest crime thriller, Snatch, is nearly a carbon copy of his sizzling 1998 debut film, Lock, Stock, and Two Smoking Barrels. The good news: Who cares? Those who like their thrills fast, bloody, twisty, and awfully funny will be in B-movie paradise here; we're only three weeks into January, and we already have a movie that's more enjoyable than 90 percent of what was released last year.

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