Tyler Mane in HalloweenHALLOWEEN

On the list of 1970s horror films that absolutely, positively did not demand a remake, John Carpenter's spare, suggestive, and deeply frightening Halloween would have to place right near the top. If, however, a 21st Century revamp was inevitable (and, Hollywood being Hollywood, it was), I would have thought Rob Zombie the ideal choice for the task, as the director's House of 1000 Corpses and The Devil's Rejects were relentless, darkly funny, and unapologetically nasty entertainments with a low-rent style that captured the spirit of '70s exploitation terror to perfection. Who better suited to bring Michael Myers back to life?

Having seen Zombie's offering, I'm thinking the answer might be: just about anyone else.

Richard Burgi in Hostel: Part IIHOSTEL: PART II

(Spoiler Alert: If it matters, details of Hostel: Part II's plot will - sorry - spill out.)

Upon returning to the office after seeing Hostel: Part II, my editor asked me what I thought of Eli Roth's horror sequel, and my immediate reply was, "Oh, it's crap." There was no anger or disappointment in my tone; having intensely disliked the first Hostel, I expected its follow-up to be awful, and it was awful. Yet four days after viewing the movie, I still can't get it out of my head, and I'm forced to admit that while my initial, gut response may have been honest, it wasn't entirely fair.

The Hills Have EyesTHE HILLS HAVE EYES

The setup for The Hills Have Eyes - Alexandre Aja's remake of Wes Craven's 1977 horror classic, with Craven himself on board as a producer - couldn't be simpler. A vacationing family, headed for California, stops for gas at a filling station near an abandoned nuclear-testing site in New Mexico. The station's gnarled and suspiciously friendly attendant guides them to a shortcut. The shortcut is a trap, set by the attendant and a family of horribly mutated, not-entirely-inhuman cannibals. And from there on, the plot boils down to three words: Us Against Them.

Johnny Knoxville, Jessica Simpson, and Seann William Scott in The Dukes of HazzardTHE DUKES OF HAZZARD

Since there's exactly one entertaining scene (preceded by one entertaining cutaway) in the entire film version of The Dukes of Hazzard - one sequence in this shockingly wrong-headed comedy that's the least bit amusing - let me just save you the $10 and describe it now: For reasons I've gone to great lengths to forget, Bo (Seann William Scott) and Luke (Johnny Knoxville) decide to make a pilgrimage to Atlanta, so they hop in the General Lee and high-tail it out of Hazzard County, speeding along their dirt road with "Yee-haaaaw"s a-blazin'. Cut to the freeway in Atlanta, with the General Lee stuck in traffic. (A nice moment.) As they wait, vehicles pass them on both sides; half of the drivers and passengers greet the boys with hearty "Way to go! The South will rise again!" admiration, and the other half sneer at them with "You're gonna be late for your Klan meeting, rednecks!" revulsion. It's unclear whether the boys ever realize that the source of the travellers' contention is the trademark Confederate flag on the General Lee's roof.

Jamie Fozz, Jessica Biel, and Josh Lucas in StealthSTEALTH

If you can love a movie, and hate a movie, I guess there's no reason you can't feel sorry for a movie, and boy, does my heart go out to Stealth. It's the kind of dear, sad little flick that makes you want to pat it on the head and whisper, "It's okay, it'll all be over soon ... They'll make fun of you for two weeks and then no one will even remember your name."

Shia LaBeouf and Khleo Thomas in HolesHOLES

Here's something I never thought I'd write about a live-action family movie from Disney: I hope it makes tons of money and spawns sequels galore. The movie in question is Holes, and here's something else I never thought I'd write: Thus far, it's easily the finest movie of the year.