05 Aug 2003

"Winged Migration" a Miracle of Filmmaking: Also, "American Wedding" and "Spy Kids 3-D: Game Over"

By Mike Schulz

Winged MigrationWINGED M IGRATION

At the beginning of Jacques Perrin's documentary Winged Migration, even before the title has appeared, we are informed that the film took more than four years to complete, that it required near-global group participation, and that "no special-effects shots were employed in the making of this film." It seems like an overly grandiose introduction until you actually see the movie. For Winged Migration, currently playing at the Brew & View, is an absolutely astounding experience, a visually breathtaking work that is also more pure fun than just about anything in current release.

17 Jun 2003

Witty "Homicide" Can't Escape Hollywood's Blockbuster Fever: "Hollywood Homicide" and "Dumb & Dumberer: When Harry Met Lloyd"

By Mike Schulz

Josh Hartnett and Harrison Ford in Hollywood HomicideHOLLYWOOD HOMICIDE

During Hollywood's Summer Blockbuster season, we critical types generally spend three months bemoaning the tired, formulaic scripts that inevitably lead to tired, formulaic summer movies, and when we do find something worth sitting through - The Matrix Reloaded, say, or X2: X-Men United - it's almost always despite the banality of their screenplays. (Which makes the release of a Finding Nemo, in which the brilliant execution is matched by an inspired script, even more miraculous.) Who cares about inventive plotting or smart dialogue or even basic coherence if, instead, you get to watch Keanu Reeves tussle with a hundred Hugo Weavings? Undemanding, turn-your-brain-off-and-enjoy entertainment certainly has its place, and even those of us with a particular aversion to Hollywood Blockbusters might be inclined to be a bit more generous than usual in our appraisal of empty-headed summertime escapism.

13 May 2003

"Wind" a Mighty Achievement Indeed: "A Mighty Wind" and "Daddy Day Care"

By Mike Schulz

Harry Shearer, Michael McKean, and Christopher Guest in A Mighty WindA MIGHTY WIND

This might sound like an overstatement, but with A Mighty Wind, writer-director Christopher Guest, aided immeasurably by regular co-scenarist Eugene Levy and his cast of brilliant improv artists, has secured his place as the most distinctive voice in American film comedy since the '70s heyday of Mel Brooks and Woody Allen. (And judging by the applause that greeted the film's finale at the screening I attended, I'm not alone in thinking this.)

18 Mar 2003

"Rabbit-Proof Fence" the Best of a Sorry Crop: Also, "Bringing Down the House," "Tears of the Sun," "Willard," "Cradle 2 the Grave," and 2003 Oscar Predictions

By Mike Schulz

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn't feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.

21 Aug 2001

"The Others" Adds Complexity to Summer: "American Pie 2," "Rat Race," and "Osmosis Jones"

By Mike Schulz

Nicole Kidman in The OthersTHE OTHERS

Alejandro Amenabar's ghostly The Others feels like the film version of some beautifully chilling short story by Lovecraft or Shirley Jackson, where "Boo!"-style thrills take a back seat to dread and psychological complexity; it's a savvy, entertaining piece.

20 Feb 2001

Remakes Beg One Question - Why?: "Down to Earth," "Sweet November," and "Saving Silverman"

By Mike Schulz

Chris Rock in Down to EarthDOWN TO EARTH and SWEET NOVEMBER

Is it a coincidence, or a frightening sign of flicks to come, that the two most high-profile movie releases this past weekend were remakes of movies that no one could have reasonably wanted remakes of at all? Sure, it's commonly accepted that Hollywood has all but run out of fresh ideas, but to be subjected to both Down to Earth and Sweet November in the same weekend seems a little harsh.

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