Tom Cruise and Keri Russell in Mission: Impossible IIIMISSION: IMPOSSIBLE III

Call it envy, call it sour grapes, call it schadenfreude, but I'll admit to hugely enjoying the public meltdown of Tom Cruise, mostly because it's finally making him interesting. Cruise has always been too bland to be true. He's moderately proficient, and in several of his films - most recently Collateral and Minority Report - he's even been impressive. But he has too few resources to draw upon as a performer. It would be hard to accuse Cruise of slouching on the job - he's determined and earnest, and you can sense him trying to suggest interior life. But his line readings have no surprise and his on-screen performances rarely build; whenever a new scene begins, Cruise appears to have forgotten everything his character experienced in his previous scenes. He can't seem to play more than one emotion, or one thought, at a time.

Morgan Spurlock in Super Size MeSUPER SIZE ME

At its best, Morgan Spurlock's hit documentary Super Size Me plays like an adaptation of Eric Schlosser's exposé Fast Food Nation: smart, funny, well-researched, and scary as hell.

Kurt Russell in MiracleMIRACLE

Although I'm generally a sucker for triumph-of-the-underdog sports flicks - 1986's Hoosiers remains my favorite - and was all set to have a good sniffle at Miracle, the movie is so cynically programmed to be a lump-in-the-throat audience-pleaser that I found it all too easy to resist.

Eminem in 8 Mile8 MILE

8 Mile is the most artistically successful crowd-pleaser the movies have given us in ages, a hip-hop Rocky that, incredibly, refuses to pander.

Halle Berry and Hugh Jackman in SwordfishSWORDFISH, ATLANTIS: THE LOST EMPIRE, and LARA CROFT, TOMB RAIDER

Within a four-day span, I sat through Swordfish, Atlantis: The Lost Empire, and Lara Croft, Tomb Raider, and have become convinced that they're all the same movie. True, one is a sleek action-thriller, one a Disney cartoon, and one inspired by a popular videogame, but consider: