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Reviews
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Written by Thom White
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Monday, 26 March 2012 06:00 |
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New Ground Theatre’s current offering, Mr. Marmalade, is about four-year-old Lucy and her imaginary friends. Suicidal, coke-snorting, physically and mentally abusive imaginary friends. And it’s incredibly funny. One particularly dark scene during Thursday's performance, in fact, had me laughing so hard, for so long, that I was wiping away tears by the end of it.
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Reviews
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Written by Thom White
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Monday, 12 March 2012 06:01 |
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A sign in front of the Circa '21 Dinner Playhouse includes a description of the theatre’s current show, Southern Crossroads, as “an inspiring and hilarious story about one musical group’s struggle against impossible odds, as they find new hope through music.” That line fits Circa '21's production to a T, as the tone of director Curt Wollan’s offering is clearly joyful, despite the sense of desperation in its setting. With the appropriate exceptions of those playing villains, Wollan’s cast does not play up any silliness written into their comedic lines. Instead, they choose to play them straight, and in doing so, add to the musical's air of Great Depression uncertainty.
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Reviews
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Written by Thom White
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Monday, 12 March 2012 06:00 |
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Apparently, director Gary Clark doesn’t think Playcrafters Barn Theatre audiences will get author Pat Cook’s jokes in the venue’s current If It’s Monday, This Must Be Murder, because almost every already-obvious punchline is accented with a combination of slow, careful enunciation and a physical action. For example, the main character, Michael Schmidt's Monday, is referenced in another character’s line, “Rainy days and Monday always get me down.” On Saturday, though, the actor saying this put vocal emphasis on the “Monday” and grandly gesticulated toward Schmidt, as though this rather lame attempt at humor needed to be clarified. It was one of many not-so-clever quips that were rendered even less funny through Clark's, and his cast's, efforts to make sure they weren't missed.
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Feature Stories
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Written by Mike Schulz
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Thursday, 08 March 2012 13:06 |
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Dino Hayz is the creative director and co-owner of the Center for Living Arts, the Rock Island-based venue that, since 2006, has offered music and theatre (and musical theatre) classes for ages 18 and under, and has produced such stage presentations as Schoolhouse Rock Live! and Disney’s High School Musical.
Consequently, Hayz says that he and his performers have a pretty fair idea of how patrons might react to the Center’s latest theatrical offering.
“When we’re in rehearsal,” says Hayz, “at the end of Act I, we always say, ‘A-a-and ... blackout. Actors off, lights up, a good third of the audience walks out the door ... .”
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Feature Stories
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Written by Mike Schulz
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Monday, 27 February 2012 06:00 |
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After compiling the list of stage presentations coming to area venues this spring, three things became immediately clear.
(1) Audiences are getting a rather intimidating number of options, with (at last count) no fewer than 57 plays or musicals scheduled to open between March 1 and May 31.
(2) Audiences are getting a rather incredible variety of options – everything from a comedy by Woody Allen to a musical by Woody Guthrie.
(3) Absolutely none of these numerous and diverse theatrical productions features me.
While drying your eyes, though, do your best to get excited about this spring’s lineup anyway ... which, I hasten to add, shouldn’t be very difficult.
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