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Many Ways to Skin a "Cats": Dennis Hitchcock Discusses Circa '21's Latest Musical PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 28 March 2006 18:00
Author’s note: Prior to my full-time tenure at the Reader, I worked at the Circa ’21 Dinner Playhouse, and for Dennis Hitchcock, for 11 years. This was one of those rare interviews that didn’t start with a handshake, but rather a hug.

 
The Not-So-Final Curtain: Iowa City's Dreamwell Theatre PDF Print E-mail
Theatre - Feature Stories
Written by Audra Beals   
Tuesday, 21 March 2006 18:00

After the most successful nine-month run that Iowa City’s Dreamwell Theatre has ever seen, this sm

all company – which has long performed on borrowed stages and only recently secured a space of its own – is homeless once more.

 
You’re Not Just for Kids, "Charlie Brown": Music Guild Takes On Charles M. Schulz PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 21 March 2006 18:00
The comic-strip world of Charles M. Schulz’s “Peanuts” characters has long delighted children, and the original, 1967 production of the musical You’re A Good Man, Charlie Brown – with its cheerful tunes and hummable score – has long been a staple for young performers, having been consistently produced in high schools, middle schools, and even elementary schools across the country.

 
The Power of the Witness PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 28 February 2006 18:00
The idea started with a traffic jam. “This was two years ago,” says local poet and storyteller Shellie Moore Guy, regarding the origin of her domestic-abuse performance piece Healing Waters: I Will Carry My Sister’s Pain.

 
Communications Expert: Dave Bonde Directs "A Lie of the Mind" for St. Ambrose PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 14 February 2006 18:00

 

Like many who wind up pursuing a life in the theatre, Camanche, Iowa, native Dave Bonde never intended to;

his plan was to secure a B.A. in Mass Communication. Yet after appearing in his first theatrical production at St. Ambrose University in 1991, Bonde found himself hooked by the allure of the stage, partly because of its connection to his own field of study.

 
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