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There’s No Business Like Reviewing-the-Shows Business PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 13 December 2005 18:00

How wonderful and humbling the last eight months have been.

 
A Brand-New Take on a Familiar "Carol" PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 29 November 2005 18:00
When you hear director Kevin Pieper describe the Quad City Music Guild’s production of A Christmas Carol as “a new show to the area,” it’s easy to be skeptical. Haven’t we already seen this holiday chestnut – and in this area, no less – more times than we can count? (Hell, I’ve been in it twice since 1994.)

 
Flying Solo: Adam Michael Lewis in "The Santaland Diaries" PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 15 November 2005 18:00
For many stage actors, the chance to perform a one-person show would be a dream come true. For Adam Michael Lewis, this dream has come true, but not, it turns out, for the first time. Or the second. Or even the third.

 
Making Fiction Out of Fact: New Ground Theatre's "Promise Ring" PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 08 November 2005 18:00
It’s no newsflash that playwrights often find inspiration in their personal pasts, and use young leading characters as theatrical alter egos; if you want to better understand Tennessee Williams, listen to Tom’s monologues in The Glass Menagerie, or watch Edmund’s scenes in Long Day’s Journey into Night for greater insight into Eugene O’Neill.

 
The “M” Word: "The Scottish Play - A Travesty!" at Black Hawk College PDF Print E-mail
Theatre - Feature Stories
Written by Mike Schulz   
Tuesday, 01 November 2005 18:00
What makes the blood of most stage performers run cold? Seeing the first audience on opening night? Hearing silence after delivering supposedly hilarious dialogue? Knowing there’s a critic in the house? Well, yes, yes, and yes.

 
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