When director/co-writer Ben Gougeon's world premiere The Stacks: An Immersive Mystery enjoys its February 22 through March 2 run at the new Sound Conservatory – the original, longtime site of the Moline Public Library – it will mark the first theatrical presentation to be staged in the venue. It may very well be the last. But you can't blame Gougeon or his debuting show for that.

With the company's second mainstage production of its 2023-24 season, the student talents of Davenport Junior Theatre will be taking audiences on a rollicking underwater adventure in the February 17 through 25 run of Finding Nemo Jr., the 60-minute musical based on the beloved animated film that boats a cast of 41, eight youths running the booth and backstage, and seven additional front-of-house team members ages 10 to 18.

Winner of Great Britain's Oliver Award for Best Play and described by London's Independent as “wondrous, hilarious, and heartbreaking,” the fascinating two-character drama The Mountaintop enjoys a February 23 through March 10 run at Iowa City's Riverside Theatre, the play's imagined tale involving Martin Luther King Jr. lauded by the Los Angeles Times as “a powerful, poetic take on (King's) legacy.”

Described by the New York Times as “intense and exciting” and by The New Yorker as “smart, eloquent entertainment,” Tony-winning author John Logan's two-character Red enjoys a February 23 through March 3 run hosted by Circle's Edge, an offshoot of City Circle Theatre Company, with this acclaimed drama about noted painter Mark Rothko being staged in an actual art studio: Coralville's social painting and crafting venue Brush & Barrel.

It’s February, so love must be in the air – or at least affection. The Playcrafters Barn Theatre's first production of 2024, director Jake Ladd's Harvey, is a hoot, and a hearty helping of classic comedy.

Let it be known: I’m not a true crime kind of gal. As such, the opening night of Thrill Me: The Leopold & Loeb Story at the Black Box Theatre was perhaps the most unsettling theatrical experience I’ve had in recent memory. I couldn’t quite get past the fact this was a true story. While it has certainly been dramatized – and as a musical, for Pete’s sake! – I found this somber tale quite disturbing.

A Tony-nominated delight that the Chicago Reader lauded for its “tongue-in-cheek choreography and playfully smart lyrics,” the theatrical version of beloved Reese Witherspoon comedy enjoys a Spotlight Theatre presentation in the February 16 through 25 run of Legally Blonde: The Musical, the Moline venue's production sure to demonstrate why Broadway World called the show “a bright testimony to the power of women and importance of self-love.”

With the exhilarating stage spectacle making a Valentine's Day stop at the Adler Theatre on its national tour, the 50th-anniversary production of the legendary rock opera Jesus Christ Superstar comes to Davenport on February 14, its unforgettable lyrics and music crafted by Emmy, Grammy, Oscar, and Tony (EGOT) winners Tim Rice and Andrew Lloyd Webber.

One of America's most beloved and enduring comedies opens the 2024 season at Moline's Playcrafters Barn Theatre when the venue presents the February 9 through 18 return of Mary Chase's Harvey, the Pulitzer Prize-winning delight's original 1944-49 Broadway engagement a smash that ran for 1,775 performances and was directed by Tony Awards namesake Antoinette Perry.

A gripping two-man musical that, according to the New York Times, "lands like a well-placed punch, arresting and a bit breathtaking," Thrill Me: The Leopold & Loeb Story opens the 2024 season at Moline's Black Box Theatre, its February 9 through 24 run sure to demonstrate why the Hollywood Reporter raved that it "combines the extravagant emotions and ensemble couplings of verismo opera with musical sounds and styles drawn from Broadway and the bittersweet ballads of Franz Schubert and Kurt Weil."

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