With his play lauded by Theatre in Chicago as a work that "stands out for its blend of historical depth and personal insights," David Payne brings his nationally touring one-man show Churchill to Davenport's Adler Theatre on April 9, the piece allowing the British character actor to portray a famed historical figure previously portrayed by Gary Oldman, who won an Academy Award for playing Churchill, and Albert Finney, Brendan Gleeson, and John Lithgow, all of whom won Emmy Awards as the former British Prime Minister.

Winner of six 2013 Tony Awards including Best Musical and Best Score for pop icon Cyndi Lauper, the high-kicking musical Kinky Boots kicks of Quad City Music Guild's 2024 season with an eagerly awaited Prospect Park Auditorium run April 5 through 14, the show called “cause for celebration” by Entertainment Weekly and, according to Time Out New York, “the very model of a modern major musical.”

Delivering what Talkin' Broadway describes as "laugh-out-loud moments and a wonderful life lesson about not letting life pass you by," the Paul Elliott comedy Exit Laughing opens the 2024 theatre season at Geneseo's Richmond Hill Barn Theatre, its April 11 through 21 run sure to deliver what Stage Whispers hailed for its "great script, great timing" and "great fun."

Just a few performances in and I think it’s safe to say that the Circa '21 Dinner Playhouse has a hit on its hands.

Enjoying a three-performance Adler Theatre run, the musical-comedy smash The Book of Mormon returns to Davenport on March 29 and 30, with Ben Brantley's 2011 New York Times review proclaiming, “I am here to report that a newborn, old-fashioned, pleasure-giving musical has arrived … the kind our grandparents told us left them walking on air, if not on water. So hie thee hence, nonbelievers (and believers, too), to The Book of Mormon, and feast upon its sweetness.”

Plucky, abused orphans. English-language literature is full of 'em: Dickens' lads Oliver Twist and David Copperfield; Canada's Anne Shirley; America's optimistic Annie; prehistoric Europe's Ayl; contemporary Britain's Harry Potter. One 177-year-old orphan still going strong is Jane Eyre.

As faithful theatre-goers have proved their devotion to Church Basement Ladies (and its many offspring) since 2007, the Circa '21 Dinner Playhouse has resurrected it for the third time. At Thursday's preview night, I saw everything they had made, and behold – it was very good. Yea, those lutefisk-loving Lutherans on the lowest level of the Lord's House have returned.

Local Theatre Auditions/Calls for Entry

Updated: Tuesday, March 26

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

The premise is simple enough. A group of five women are getting together to celebrate a bride-to-be. Their activity of choice is a paint night, where they'll all be guided through the created replication of a particular painting. Along the way, they’ll drink, gossip, and expel their deepest, darkest secrets. This isn't to imply that things here aren’t funny – they frequently are. It’s just that Paint Night's comedy feels more like light seasoning in a rather heavy stew. But I’m getting ahead of myself.

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