R.I.P. B&V

Everyone has movies they love, but you don't often have loving feelings toward movie houses.

For students at Davenport's St. Ambrose University, the end of summer brings with it the usual. Buying books. Attending classes. Preparing for Urinetown.

Rachel McAdams and Cillian Murphy in Red EyeRED EYE

Wes Craven's Red Eye is the beneficiary of an original, intriguing leading character and, in Rachel McAdams, exactly the right performer to play her. A good thing, too, because the movie doesn't have a lot else going for it.

Chris Jansen, the artistic director of the New Ground Theatre, is a self-described "Junior Theatre kid," and has the pictures to prove it. She thinks.

Activism can sneak up on you. One year ago, Bettendorf musician A.J. Haut couldn't have imagined being the initiator of a benefit performance involving dozens of performers and nearly a thousand dollars in raffle merchandise.

Steve Carell, Paul Rudd, Romany Malco, and Seth Rogen in The 40-Year-Old VirginTHE 40-YEAR-OLD VIRGIN

Considering the film's title, this might sound ludicrous. But in The 40-Year-Old Virgin, Steve Carell, playing our hapless hero Andrew, gives what might become a legendary comedic screen performance.

In the Clinton Area Showboat Theatre's ingenious new production of Beauty & the Beast, the first things to catch your eye are a small bench located stage right and a large screen - it's nearly half the length of the stage - hanging upstage. On that screen is a rear projection of a rose, and it has a haunting, rough-edged quality; it looks like something that French waif on the Les Miz poster should be holding.

At Friday's nearly sold-out performance of Over the Tavern at Richmond Hill's Barn Theatre, I found myself seated next to a charming couple who engaged me in conversation. I asked whether they had heard of the play previously, as Tom Dudzick's comedy was unfamiliar to me. The gentleman responded that he'd read a little bit about it, but his wife said, "Not me. I like being surprised."

Rob Schneider and Eddie Griffin in Deuce Bigalow: European GigoloDEUCE BIGALOW: EUROPEAN GIGOLO

Some comedies are so colossally, ridiculously unfunny that you're left with no choice but to stare at them in abject bewilderment. To the surprise of probably no one, Deuce Bigalow: European Gigolo is such a comedy. Yet the movie - and I hesitate to call it one - is actually far more intriguing than "colossally, ridiculously unfunny" would indicate.

In all honesty, it might not be appropriate for me to critique the new production at the Timber Lake Playhouse, considering that at Saturday night's performance I was in it. Then again, we all were.

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