JJ GreyWhen J.J. Grey got off the road late last year, he immediately started preparations for what would become the Orange Blossoms record.

"I essentially recorded the album in November," he said last week.

Then he did it again in January.

And once more in February.

And then he went into the studio to finish the job with his band, Mofro.

Reader issue #710 Ask Polyrhythms' Nate Lawrence about the highlights of more than two years presenting the Third Sunday jazz series at the River Music Experience, and his response tells you a great deal about his goals.

"Lenora Helm put together a choir real quick, out of the kids, and they're doing 'Ain't Misbehavin','" he recalled last week. "Ray Blue, he had a six-piece with percussionists and whatnot, and as soon as the workshop was over, the kids just bum-rushed the stage. They sat at the piano. Some of the kids just grabbed the mic and started singing. Some kids went to the congas and started playing. The drummer got up, the kids sat down. It's hands-on. Those are the high points."

Lois Deloatch - Hymn to FreedomWhen Lois Deloatch recorded what became Hymn to Freedom in late 2006, she intended it as a tribute to pianist Oscar Peterson, a living legend.

But one of the perils of being an independent artist is that albums done right require patience. "I'm a totally independent artist," the North Carolina-based Deloatch said earlier this week, in advance of her November 16 performance and workshop at the Redstone Room. "When you're literally doing every piece of it yourself, it takes a little bit of time."

Carrie Rodriguez Carrie Rodriguez has always gravitated toward the spotlight, even if it's taken a while to get there.

"My mother said that when I was in Montessori school, they would put on these plays," she recalled in a phone interview last week. "And I would always have the part of the tree or the plant or something. And my mom asked the teacher, 'Why do you keep giving Carrie the role of the tree?' And the Montessori-school teacher says, 'Because no matter what I do, Carrie's going to end up on the front of the stage, singing and dancing, so I can afford to give her the tree role. I need to give the shy kids the main roles.'"

Eddy The Chief Clearwater In 1980, Living Blues magazine founder Jim O'Neal approached left-handed guitarist Eddy Clearwater about making an album for his new label, Rooster Blues.

That's when everyone started calling Eddy "The Chief," he said in a recent phone interview, "because I wanted to wear my headdress and ride a horse for the artwork, for the cover." The headdress has since become a signature piece in Clearwater's stage shows.

Keri Noble The Keri Noble that was introduced to the world in 2004 is not the full Keri Noble.

On the new Leave Me in the Dark, Noble's first recording for the Telarc label, it's evident the singer/songwriter/pianist wanted to offer a better sense of her breadth as an artist. The dynamic EP, released in May, should obliterate the impression left by her constrained major-label debut four years ago.

People who attend PRE's October 18 performance at Mixtapes in East Moline might be witnessing a band that's about to hit it big. Of course, this won't be the first time a punk band with an explosive sound has played the Quad Cities. But it could be the first time one does so in the middle of recording sessions with producer extraordinaire Steve Albini.

Parenthetical Girls The craziness continues here at Daytrotter.com headquarters this week. After an action-packed weekend of recordings with Cold War Kids, Preservation Hall Jazz Band, Catfish Haven, and Locksley, we aren't slowing down. So far this week, we've recorded Parenthetical Girls, Gringo Star, sBach (a new project by Spencer of Hella), Ben Kweller, Whitley, and Annuals. Also coming into the studio this week are Crooked Fingers, Le Loup, Brighton, MA (who played a spectacular set at Sunday's Catfish Haven show at Huckleberry's), Samantha Crain (on The Avett Brothers' label), Wire (the legends), and Man Man.

DaytrotterThis week begins a whirlwind October that, when all is said and done, will result in close to 45 recorded sessions and two potential road trips to festivals in New York City (CMJ) and New Orleans (Voodoo Fest) for other sessions.

Murnau Alex Riggen and Nick Pompou will perform their first public show as Murnau on Saturday at East Moline's Mixtapes, but the duo's ambitions are already clear.

Based in Morrison, Illinois, the band is named for the expressionist silent-film director F.W. Murnau (who made Nosferatu and Sunrise), and in addition to a trio of demos it has already recorded a score for the 1929 surrealistic classic short Un Chien Andalou as part of an EP with the single "We March on." The songs for a full-length have been written, the drums are recorded, and the album should be released next year, Riggen said last week.

"We've just always focused on recording and releasing ... to a wide audience [on the Web] rather than finding shows," he said. "We just like to write."

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