Bobby Conn He has the magisterial licks and unbound ambition of Billy Corgan without the self-seriousness. He has the expressive, expansive palette of Andrew Bird but with an arena-rock heart. He's an insatiable omnivore like Mike Patton, stirring everything together into a sometimes-ugly stew, but without the aggressiveness and with most of the rougher edges buffed off. He has a fascination with twee '60s pop, and with muscular prog rock.

As season-ticket sales decline, the Quad City Symphony Orchestra is looking for ways to reach new audiences. This year's season has emphasized collaboration with local arts organizations, and nowhere is this more apparent than in this weekend's performance with Ballet Quad Cities.

Radical Turf presents Showcasing acts from around the United States (including a number of Quad Cities-area contributors), Hello Future? is the latest compilation from Radical Turf, the label of local musician and producer Jeff Konrad. Touted as a "grab bag" of electronic-oriented music, Hello Future? is just that: There are some treats that are keepers and some that will stay in the bottom of the bag.

Robert Irving III Keyboardist Robert Irving III, Miles Davis' musical director for most of the 1980s, will be performing a concert and leading a workshop on Sunday, February 18, at Davenport's River Music Experience.

Both the workshop and evening performance - organized by Polyrhythms - will feature Irving with saxophonist James Perkins, drummer Ernie Adams, and bassist Marlene Rosenberg.

Bella HristovaImagine if you will: You're six years old. You've been playing the violin for six months. And you're about to make your professional debut on live television.

For most youths, this would be the recipe for a panic attack. But not for acclaimed violinist Bella Hristova, here as Quad City Arts' latest Visiting Artist. After all, the Bulgarian native had her cat to comfort her.

Sort of.

Minus Six, The third record from the Quad Cities' Minus Six, Hidden Deep in the Green, has the vibe of a musical-theatre soundtrack. If the idea of a pop record that invokes Broadway makes you recoil in horror, then you're wise to avoid this. If you're intrigued, you're likely to be carried away by singer/songwriter Kevin Carton and his band.

Debbie Bond Nancy Schricker, the music teacher at Wilson Elementary in Davenport, arrived to greet us with six students in tow. Debbie Bond - the guitar player and bandleader for the the Alabama Blues Project, the group that the Mississippi Valley Blues Society (MVBS) brought in for a "Blues in the Schools" residency last November - told them, "Some of the equipment will be heavy."

"Sweet," exclaimed one little boy, already won over for this prestigious "work," as they followed Debbie to the van to unload what was needed for the afternoon's performance. Soon, the Alabama Blues Project had its school-kid "roadies" participate in setup by hauling plastic tubs that would be used by classmates as drums.

This weekend the Quad City Symphony Orchestra is celebrating composers who stood apart, in some way, from the conventions of their time. Although the program does include Beethoven and Strauss, the emphasis is on modern American composers, three of whom are living.

As Music Director and Conductor Donald Schleicher explained, these are (or were) composers "on the cutting edge" who "invented and created and didn't just follow the patterns of their predecessors.

"So often we play music by dead composers," Schleicher said. "Dead composers were once living, so I think it's interesting to investigate and perform music by living composers. Like an artist, composers sometimes become more famous after they die."

There have been only a few bass players who have led jazz bands. Among the first was Oscar Pettiford. The best known was Charlie Mingus, who was also one of the great jazz composers. Ray Brown fronted mostly jazz trios. Christian McBride is one of the latest bassists leading a jazz band.

It's even more rare for a female bass player to lead a jazz band, but Chicago's Marlene Rosenberg has been doing just that. She will bring her quartet of highly talented jazz musicians to the River Music Experience's Redstone Room on January 21 to open up the 2007 Third Sunday Jazz Matinée & Workshop Series. The day's events include a workshop and a public performance.

Stacy EckertI was talking to someone, and she hadn't ever seen an opera," recalls Stacy Eckert, who performs the title role in Opera Quad Cities' new production of Carmen. "And I was trying to explain Carmen, and I said, 'Well, I bet you know more tunes from the show than you think you do.' And she said, 'Aw, no, I don't know any of them.'

"So I started humming a few. She goes, 'Oh, I know that one! Oh, that was in The Bad News Bears, the original one! Oh, I know that one, too!' And I said, 'See? You know a ton of them!'"

Pages