The song “Corner of the Sky” has always been one of my favorite Broadway tunes. I love the lyrics, especially, because they touch areas deep inside my heart with their nuances of looking for meaning in life and trying to find a place where you fit in. The words: “Rivers belong where they can ramble / Eagles belong where they can fly / I’ve got to be where my spirit can run free / Got to find my corner of the sky” really ring true in my own experiences. And this song is the centerpiece for the season opener – the musical Pippin now playing at the Timber Lake Playhouse.

I feel confident in giving Red two thumbs up, but should you attend for yourself and disagree with me … . Well, I think that’s exactly the point of director Cait Bodenbender’s production: You can choose for yourself as long as you do so from a place of honesty.

Did you hear the energetic trumpeting coming from Rock Island this past weekend? Because Elephant & Piggie’s “We Are in a Play!” debuted on the Circa ‘21 Dinner Playhouse stage and was chock full of trumpets, both of the elephantine and brass-instrumental variety. Director Kim Kurtenbach kept the energy in this production high and the overall experience was a joy – a veritable celebration of friendship.

There’s an adage “hurt people hurt people.” It's a cliché, certainly, but it sums up the experience currently on the Playcrafters Barn Theatre stage. Friday was the opening night for Princeton’s Rage, written by local playwright Don Faust, and under the direction of Madison Duling, the evening was full of emotions and pain, but also well-needed healing.

Friday was opening night for You’re a Good Man Charlie Brown at the Spotlight Theatre, and it was a crazy, fun evening filled with lighthearted comedy and loaded with some of my favorite area talent. I really enjoyed the simple, childlike playfulness that the entire cast exuded, as it was evident that everyone was having a great time and glad to be back on stage.

Drama is conflict, and the Black Box Theatre's current production, titled Hate Mail, reveals its conflict within the first two minutes. As the battle slowly escalated, I wondered how playwrights Bill Corbett and Kira Obolensky could sustain the animosity and keep it building for an entire play. How dark could it get and

The Showboat's former producing artistic director Matthew Teague Miller directed Always ... Patsy Cline, while Kory Danielson is music director and conductor, also playing piano during the performances. Much thought and work no doubt went into staging this production, but Miller, Danielson, and their crew make it seem like it came together spontaneously and organically.

If life is making you lonely, you can always go downtown to the Circa '21 Dinner Playhouse and experience their latest offering Beehive: The '60s Musical. Director/choreographer Shelley Cooper and her gang of six ladies will take you on a musical journey through the decade that is chock-full of your classic favorites. This fun night of familiar tunes is exactly the answer – it’s a gas!

In the longstanding tradition of “show, don't tell,” a story needs a setting or theme to carry it. Star Trek wasn't really about space; Field of Dreams wasn't really about baseball. Stories are about people, memories, and emotions. And although the actors now performing at the Black Box Theatre talk for 90 minutes about pantsuits, gowns, and boots, Love, Loss, & What I Wore isn't really about clothing.

What is the essence of an artist? And how do they make themselves unique and entertaining? In my view, an artist is an extremely creative individual who demonstrates the ability to arouse one’s emotions and tantalize their senses, causing them to feel alive. And that’s exactly what I felt during Thursday’s dress-rehearsal preview of La Divina: The Last Interview of Maria Callas, now playing at the lovely Black Box Theatre in downtown Moline.

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