The more performances I see as a reviewer, the more I ponder and study stagecraft. With many productions, I take away a concept or idea as to what makes a performance good, whether at the individual level or for an entire production. With the Curtainbox Theatre Company's Fool for Love, it's a word: abandon.
Driving home from the Circa '21 Dinner Playhouse on Friday night, after seeing the opening performance of the musical Joseph & the Technicolor Dreamcoat, I asked my husband, "Can you honestly think of anyone who wouldn't like this show?" We couldn't. And I still can't. With its appealing confluence of technical effects, engaging storytelling, musical styles, memorable characters, and lessons in forgiveness, humility, and hope, even those grudging types who would rather be dressed in bologna and tossed into a shark tank than see a musical can find something in Joseph to laugh at, mull over, be inspired by, or appreciate on a sensory level.
Attending the theatre is typically a form of escapism, a chance to get lost in the magic of the staging and performances. And then there's Moon Over Buffalo, one of those shows that doesn't just let you escape into it, but lets you in on the antics of what's going on off stage. It's a show about actors and their messed up, dramatic lives.
The story's kind of lame and the songs are kind of blah. But all told, the Circa '21 Dinner Playhouse's family musical Frosty's Magic Hat is a winning, rambunctious treat, the sort of unapologetically silly good time that can cause adults to laugh with even greater vigor and frequency than their pre-teen chaperones.
The Best Christmas Pageant Ever, the one-act play Barbara Robinson adapted from her beloved book, is set primarily in a church that stages a grade-school re-telling of the Nativity story - the exact same pageant, we're told, that the church puts on year after year after year. And after attending Friday night's hilarious, intensely charming production of Robinson's show, I, for one, would be totally on board with the Clinton Area Showboat Theatre opting to stage The Best Christmas Pageant Ever year after year after year, at least if director Jalayne Riewerts wouldn't mind making it an annual commitment.
In the Harrison Hilltop Theatre's current take on John Steinbeck's Of Mice & Men, actor Jim Seward plays the chatty, friendly ranch hand Candy, and at one point tells a story about his boss treating the workers to a gallon of whiskey for Christmas. It's a charming little reminiscence - Candy, in the terrifically ingratiating personage of Seward, giggles with delight at the memory - but it's also one that would probably be quickly forgotten if the scenes that followed didn't keep bringing it to mind.
Roughly 10 minutes before the Prenzie Players' presentation of The Winter's Tale gets underway, there's a brief, improvisational scene between the Bohemian king Polixenes (David Furness) and Prince Mamillius (Stephanie Moeller), the young son of the king and queen of Sicily.
No show that opens with 10 sharply dressed, great-looking, terrifically talented performers dancing a spirited tap number can be all that bad, which is a good thing for Holly Jolly Christmas, the musical revue currently playing at the Circa '21 Dinner Playhouse. Considering, however, that the production has no loftier purposes beyond entertaining crowds with familiar holiday tunes and spreading a little yuletide cheer, I think audiences could be easily forgiven for turning to their theatre-going companions after the curtain call and saying, "Well, that was nice... but what the hell was it?"
The Playcrafters Barn Theatre's current, holiday-themed family presentation Papa's Angels begins on a note - or rather, a bunch of notes - of incredible sweetness.
Scott Community College debuted its fall theatre offering(s) on Thursday, a pair of John Pielmeier one-acts under the blanket title Haunted Lives. And while I'd prefer this article not be read as a traditional review - because, for understandable reason, the production wasn't really in any kind of shape to be reviewed - I'll preface with perhaps the highest compliment I can give its participants: They made it through.Subscribe & Listen to Reader Podcasts
On Stands Now
Tagged Content
Two Ways to Subscribe
1. Subscribe to free weekly e-mail content updates.
You'll get both the current official narrative challenge and What's Happenin' in the Quad Cities.
(Did you know we publish a new Real Astrology and RCR Crossword every week?)
2. Get 12 monthly issues mailed first class for $48
Get the printed Reader edition mailed to you (or anyone you want) first-class for 12 months for $48.
$24 goes to postage and handling, $24 goes to keeping the doors open!
Click this link to Subscribe now.
Theatre Calendars
Submit your event listings to calendar@rcreader.com