27 Apr 2026

Beating It: “Michael,” “I Swear,” and “Over Your Dead Body”

By Mike Schulz

There's a line, or rather a lyric, that fully encapsulates what Michael is about, and it's found in Jackson's 1983 smash “Billie Jean”: “And be careful of what you do / 'Cause the lie becomes the truth.”

20 Apr 2026

Bringing the Bandages Back Together: “Lee Cronin's the Mummy,” “Normal,” “Lorne,” and “Busboys”

By Mike Schulz

Probably like a lot of you, upon hearing the title of the latest horror flick to hit cineplexes, my immediate question was “Who the hell is Lee Cronin?!”

13 Apr 2026

Mock-Doc Shock Talk: “Faces of Death,” “You, Me & Tuscany,” and “Mr. Nobody Against Putin”

By Mike Schulz

It's the absolute right time for director/co-writer Daniel Goldhaber's new Faces of Death, a tight, scary, unexpectedly crafty meta-commentary built on the notion that we can no longer instinctively believe anything we're shown on-screen. On any screen.

06 Apr 2026

For Better or Worst: “The Drama,” “The Super Mario Galaxy Movie,” and “Pizza Movie”

By Mike Schulz

Prior to writer/director Kristoffer Borgli's transfixing, deeply uncomfortable A24 romance The Drama, I think you'd have to go back to 1992's The Crying Game to find a film that made you – by which I mean me – quite so antsy to learn its heavily promoted Big Secret.

28 Mar 2026

Beats and Beetz: "They Will Kill You" and "Forbidden Fruits"

By Mike Schulz

Is anyone else exhausted, and continually upset, by this year's plethora of movies in which women get the crap viciously kicked out of them?

23 Mar 2026

Rock and Man, Burnin' Out Their Fuses Up There Alone: “Project Hail Mary,” “Ready or Not 2: Here I Come,” and “The Pout-Pout Fish”

By Mike Schulz

Having not read the Andy Weir novel on which their film is based, it's hard to tell if Phil Lord and Christopher Miller were the right directors for the science-fiction adventure Project Hail Mary, or – for the book's many admirers, and maybe a few of us newbies – the absolute wrong ones.

18 Mar 2026

A Different Laramie Project: “Reminders of Him” and “Undertone”

By Mike Schulz

If, after three of the author's films over 20 months, my up-and-down reactions continue on this trajectory, I'm already looking forward to the Colleen Hoover adaptation after the next one.

09 Mar 2026

Wake Up, I Think Maggie's Got Something to Say to You: “The Bride!”, “Hoppers,” and the 2026 Oscar-Nominated Short Films: Animation

By Mike Schulz

If possible, Maggie Gyllenhaal's intensely watchable, intensely problematic revisionist salute is an even nuttier achievement than Young Frankenstein, if not always nutty in appreciable ways.

02 Mar 2026

Slit, Slash, It Ain't No Kind of Bash: “Scream VII,” “Pillion,” and “EPIC: Elvis Presley in Concert”

By Mike Schulz

As a slasher flick with comedic leanings, director/co-writer Kevin Williamson's Scream 7 is pretty weak. As a half-dozenth sequel so steeped in callbacks and meta-commentary that nostalgia is practically its plot, it's exhausting. And as a statement on big-studio moviegoing practices and habits with a quarter of the 21st century behind us, it's depressing as hell.

23 Feb 2026

Seven-Course Melee: “How to Make a Killing” and “I Can Only Imagine 2”

By Mike Schulz

In this dark comedy thriller, and in a change of pace for the performer, Margaret Qualley turns out not to be an on-screen firecracker. She's more like a countdown clock, the type that requires action heroes to cut either the blue or red wire before everything gets blown to bits

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