In the Figge Art Museum's current Film at the Figge series, the Davenport venue is screening international, award-winning works that deal with death, loss, and grief in unexpected ways, and the affecting and arresting lineup continues on December 15 with It's Only the End of the World, Xavier Dolan's award-winning French-Canadian drama lauded by The Guardian as a "brilliant, stylized, and hallucinatory evocation of family dysfunction."

As familiar as I am with the oeuvre of Martin McDonagh, I couldn't necessarily teach a course on the playwright/filmmaker's darkly comedic stage and screen works. But if I could, I would likely start with The Banshees of Inisherin, an absolutely delightful (if slightly grim) reunion for In Bruges co-stars Colin Farrell and Brendan Gleeson, and one that seems to boil its creator's signature style down to its absolute essence – yet in unexpectedly tender fashion.

No two-hour-and-40-minute movie about inappropriate transactional relationships, cancel culture, the #MeToo movement, and the challenges of conducting Mahler's 5th Symphony should be this much freaking fun.

A two-day event showcasing and supporting Midwestern artists, the Muscatine Music & Independent Film Festival will be held at the Muscatine Performing Arts Center on November 4 and 5, with daily showings of nearly 50 short movies and music videos, and live performances by eight gifted acts following each day's screenings.

No matter its other pluses and minuses, and they're mostly minuses, director Jaume Collet-Sera's Black Adam is certainly one of the oddest comic-book blockbusters I've yet seen, in that it somehow feels like both a superhero/villain origin story, which it is, and the final installment in a three-part series, which it isn't. Then again, maybe I was just hoping it was a trilogy-ender, because after only two hours in the film's company, I think I've already had enough.

In the Figge Art Museum's current Film at the Figge series, the Davenport venue is screening international, award-winning works that deal with death, loss, and grief in unexpected ways, and the affecting and arresting lineup continues on October 27 with Foxtrot, the internationally co-produced 2017 drama that received the Grand Jury Prize Silver Lion at the74th Venice International Film Festival.

Directed and co-written, as the series' previous two installments were, by David Gordon Green, Halloween Ends is something I never expected this slasher flick to be: not bad. Also something else I didn't predict: a helluva lot of fun.

Presented by Progressive Action for the Common Good – the Davenport-based organization dedicated to the promotion of social justice, empowerment, diversity, sustainability and community – I Am the Future: Standing on the Shoulders of the Past will be screened at the Rock Island Public Library's downtown branch on October 25. the documentary a locally produced Black-history video courtesy of Mickle Communications.

It isn't a great film; during its protracted midsection, it's closer to a lousy one. Yet there's more going on in Amsterdam than there has been in about 95 percent of the year's other releases, and the contributions of its impressively overstuffed cast make David O. Russell's latest worth a look. Maybe more than one if you take a nap in the middle.

Nicholas Stoller's and Billy Eichner's achievement gave me everything I want and so rarely get from Hollywood rom-coms: interest, involvement, investment, sexual heat, huge laughs, legitimately threatening obstacles.

Pages