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Censored: The Top Under-Reported News from the Past Year PDF Print E-mail
Media
Written by Project Censored   
Thursday, 11 October 2012 05:22

Read about additional censored stories in Kathleen McCarthy’s editorial here.

Each year, Project Censored compiles a list of important news stories that go unreported, under-reported, or misreported by mainstream news outlets. These top-25 “censored” stories from the past year follow, and collectively they paint a much different picture of the world from what you’ll find in daily newspapers and news broadcasts.

As Andy Lee Roth and Mickey Huff write in their introduction to the forthcoming Censored 2013: Dispatches From the Media Revolution – The Top 25 Censored Stories & Media Analysis of 2011-12, Project Censored “holds to account the corporate media who, all too often it seems, would rather be let alone than bothered when it comes to real, important news; and it celebrates the efforts of independent journalists who in 2011-2012 brought forward crucial news stories to stir us from complacency.”

Censored 2013: Dispatches From the Media Revolution will be released October 30. In addition to the stories below, it includes expanded discussions of them in the context of five thematic “clusters”; a section exploring “narratives of power”; and international “censored” stories.

For more information on the book and Project Censored, visit ProjectCensored.org.

 
Winners and Favorites from the 2012 Short-Fiction Contest PDF Print E-mail
Literature
Written by Administrator   
Thursday, 27 September 2012 11:51

We received 69 entries in our fiction contest, and prize-winners and a selection of other favorites are published here.

To refresh your memory, we set a limit of 250 words per entry. (For future contests, a bit of advice: Count by hand – at least twice.) We also required each entry to conform to one of five prompts in genre (ghost story, romance, tall tale, noir, or biography), point-of-view character (inanimate object, child, polygamist, criminal, or nun), and conflict/action (betrayal, reunion, shame, obsolescence, or unrequited love). And for the brave and/or foolish, we offered the elective option of writing in the style of Dr. Seuss, Ernest Hemingway, William Shakespeare, William S. Burroughs, or Twitter. Who knew there were so many stories waiting to be told about longing objects, sensual nuns, and Seussian polygamists?

 
An Act Built for Misery: Comedian Doug Stanhope Performs His Lacerating Stand-Up at RIBCO on September 28 PDF Print E-mail
Comedy
Written by Mike Schulz   
Friday, 14 September 2012 06:00

Doug Stanhope

(Author's warning: You know that label that gets slapped on certain CDs boasting raunchy language? The one that reads "Parental Advisory: Explicit Content"? Please imagine that label getting slapped on this interview, too.)

 

If you read the praise bestowed on him by critics and contemporaries in Great Britain, you might imagine that Doug Stanhope is less a stand-up comedian than a stand-up deity.

The UK’s daily newspaper the Guardian, for example, had this to say: “Stanhope shocks you with the virulence of his lucidity; he shocks you into realizing how transparent the confidence trick of Western propaganda can be made to seem. What he has in abundance is the charm, don’t-give-a-damn swagger, and aggressive intelligence that make for important, exciting comedy.”

Iconic British comedian Ricky Gervais, meanwhile, offered this tweet to the world: “Doug Stanhope might be the most important stand-up working today.”

So how does the American Stanhope, who makes frequent tour stops in England and Scotland, feel about spending time abroad?

“I hate it,” says the 45-year-old comedian during a recent phone interview. “It’s not good at all. I mean, I have a great fan base over there, but I just hate the day-to-day of being there. It’s so ... depressing. Like, I get seriously depressed, and I don’t want to do comedy ever again, anywhere.

 
Life on the Mississippi – the Real Story: Author Lee Sandlin Creates a Patchwork History of the “Wicked River” PDF Print E-mail
Literature
Written by Jeff Ignatius   
Thursday, 13 September 2012 05:33

“Many in the crowd got roaring drunk – and the drunks at their most extreme were hard to tell apart from the fallers and the jerkers and the howlers. Others gave in to the general mood of riot and began fighting and beating each other up over nothing. But what made the camp meetings truly infamous were the orgies.”

Lee SandlinThis is not the Mississippi River that most people remember from Mark Twain. This is the real deal in all its lurid detail.

Lee Sandlin, who will be speaking at the Bettendorf Public Library on September 27 and the Upper Mississippi River Conference on September 28, said in a recent phone interview that he aimed to re-create “the Mississippi River culture in the first half of the 19th Century” in his 2010 book Wicked River: The Mississippi When It Last Ran Wild. “Basically what I’m doing is trying to introduce people to that kind of very strange little world that had formed then around the river.”

“Very strange little world” is the gentle way of putting it.

 
Serious Fun: The Spectra Poetry-Reading Series, Opening September 15 at Rozz-Tox PDF Print E-mail
Literature
Written by Jeff Ignatius   
Thursday, 06 September 2012 05:53

To grasp the concept of the Midwest Writing Center’s new Spectra poetry-reading series, we might start with the 1916 book of the same name. In its preface, Anne Knish explained that the “Spectric” school “speaks ... of that process of diffraction by which are disarticulated the several colored and other rays of which light is composed. It indicates our feeling that the theme of a poem is to be regarded as a prism, upon which the colorless white light of infinite existence falls and is broken up into glowing, beautiful, and intelligible hues.”

Before you flee this article, understand that Spectra was a satiric hoax created by Arthur Davison Ficke (a Davenport native writing as Knish) and Witter Bynner (writing as Emanuel Morgan). The pair gleefully mocked the abstruse pretensions of modern free verse, but several prominent poets – including Edgar Lee Masters and William Carlos Williams – actually embraced the work, not recognizing its intent. Poetry magazine Editor Harriet Monroe accepted a handful of Spectric works before the hoax was revealed by Bynner.

Although the poems were mostly nonsense, they were compellingly playful. One opens: “Her soul was freckled / Like the bald head / Of a jaundiced Jewish banker.” It concludes: “This demonstrates the futility of thinking.” One of the most charming starts: “If I were only dafter / I might be making hymns / To the liquor of your laughter / And the lacquer of your limbs.”

And they were occasionally incisive. In one about “my little house of glass,” Knish wrote: “Sometimes I’m terribly tempted / To throw the stones myself.”

Adam FellTo show how this relates to the new poetry-reading series (which begins September 15), allow me to note that one of the first two featured writers, Adam Fell, closes his poem “Summer Lovin Torture Party” with these oddly familiar lines: “I can feel it coming in the air tonight, oh lord. / I’ve been waiting for this moment all my life.”

 
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